This is a hauntingly beautiful section of the first movement.
After the composer has devoted so many preceding measures to the key of A minor, he decides to travel at quick intervals through a series of different keys. Such fast-paced modulations occur primarily with the return of the crossed-hands portion of the piece, beginning in F# minor at double forte level. (FF) (measure 99)
But before we get to this intensified point, Beethoven re-introduces a Largo, following the SECOND ENDING, which draws on the opening broken chord ROLL. The harmonies through which he passes are quite mystical. (especially when a D Major rolled-out chord is followed by a diminished one starting on B#) The third and final rolled chord in F# evokes the gates of heaven opening. At this point, the player must experience a divine revelation so he can communicate it convincingly to the listener.
The same mysticism blankets a Recitative, measures 144-148; and 155-158 with a submerged sustain pedal which is in itself, an innovative harmonic event in a Classical period sonata.
In fact, the “Tempest” is a ground-breaking composition just because the composer explores new tonal and harmonic regions while expanding beyond conservative form boundaries.
My video instruction elaborates upon this commentary:
Private piano teacher, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning
at POWHOW: http://www.powhow.com/classes/shirley-kirsten and Skyped instruction available plus exchange videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7
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This is a probably a very helpful process to go through for you as you revisit this piece!
Yes, I always help myself in these instructions.. plus the piece gets back in my hands more quickly.