Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

This is a hauntingly beautiful section of the first movement.

After the composer has devoted so many preceding measures to the key of A minor, he decides to travel at quick intervals through a series of different keys. Such fast-paced modulations occur primarily with the return of the crossed-hands portion of the piece, beginning in F# minor at double forte level. (FF) (measure 99)

But before we get to this intensified point, Beethoven re-introduces a Largo, following the SECOND ENDING, which draws on the opening broken chord ROLL. The harmonies through which he passes are quite mystical. (especially when a D Major rolled-out chord is followed by a diminished one starting on B#) The third and final rolled chord in F# evokes the gates of heaven opening. At this point, the player must experience a divine revelation so he can communicate it convincingly to the listener.

The same mysticism blankets a Recitative, measures 144-148; and 155-158 with a submerged sustain pedal which is in itself, an innovative harmonic event in a Classical period sonata.

In fact, the “Tempest” is a ground-breaking composition just because the composer explores new tonal and harmonic regions while expanding beyond conservative form boundaries.

My video instruction elaborates upon this commentary:

LINKS:

Part ONE: Beethoven Tempest Sonata in D minor

http://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/

Part TWO Instruction

http://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/

Part THREE Instruction

https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/

Part FOUR Instruction

http://arioso7.wordpress.com/2012/04/04/piano-instruction-part-four-beethovens-tempest-sonata-in-d-minor-op-31-no-2-measures-55-93/

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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2 Responses to Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

  1. ramsnake says:

    This is a probably a very helpful process to go through for you as you revisit this piece!

  2. Yes, I always help myself in these instructions.. plus the piece gets back in my hands more quickly.

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