Category Archives: arioso 7

Piano Instruction: Burgmuller, The Storm, “L’Orage” Op. 109 No. 13 (Expect turbulence)

Don’t let this be a one-night stand piece but rather a long-term relationship. I dared to overnight it as prep for a new student who tossed it my way, but upon reflection, I sat down at the piano, and produced … Continue reading

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Revisiting Bach’s Fugue form (BWV 847 in C minor)

Bach’s Fugue in C minor, BWV 847 is analyzed and taught Continue reading

Posted in analysis Bach Fugue in C minor, arioso 7, Berkeley piano studio, classissima, classissima.com, El Cerrito piano studio, Fugue in C minor BWV 847, J.S. Bach, Johann Sebastian Bach, Jose Alvira Rodriguez, piano, piano instruction, piano lessons, piano teaching, Shirley Kirsten, Shirley Smith Kirsten, word press, word press.com, wordpress, wordpress.com, you tube video, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Practicing: The hands alone/hands together debate (Videos)

A lively Linked-in discussion is percolating about ways to practice piano and develop technique. Ardent defenders of a Hands Together approach insist that hands alone playing fits only elementary level students. (Deprecation is noted) The Hands Together contingent misses the … Continue reading

Posted in arioso 7, Bach Invention no.1 in C Major BWV 772, Bach Inventions, Berceuse by Chopin, El Cerrito, El Cerrito piano studio, Evgeny Kissin, Franz Liszt, Frederic Chopin, Journal of a Piano Teacher from New York to California, Liszt "La Campanella", piano, piano addict, Piano World, piano world-wide, playing piano, separate hand piano practicing, Shirley Kirsten, Shirley Smith Kirsten, whole body listening, whole body music listening, word press, word press.com, wordpress, you tube video, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Growing piano technique in baby steps: Rina, 5, advances to hands together five-finger positions (adding in 10ths)

Rina may not know the words “pentascales” and “tenths,” but she has the intelligence to notice when her fingers move up and down together, playing the same notes an “octave” apart. With a sound knowledge of the music alphabet in … Continue reading

Posted in "Tales of a Musical Journey" by Irina Gorin, acoustic piano, arioso 7, blog, blogger, blogging, blogging about piano, blogs about piano, children's music, El Cerrito, El Cerrito California, El Cerrito piano instruction, El Cerrito piano studio, emotion in music, fingering and phrasing at the piano, fingering and piano technique, five finger positions at the piano, five finger warm-ups, Irina Gorin, Journal of a Piano Teacher from New York to California, Just Being at the Piano by Mildred Portney-Chase, legato playing at the piano, mental imagery, mindful piano practicing, mindful practicing, molto cantabile, MTAC, MTAC.org, New York City, New York City High School of Performing Arts, Oberlin, Oberlin Conservatory, pentascales, phrasing at the piano, pianist, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano playing, piano playing and relaxation, piano practicing, piano studio in El Cerrito, piano study, piano teacher, piano teachers, piano teaching, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing five-finger positions, playing legato at the piano, playing piano, playing staccato, playing staccato at the piano, playing the piano, POWHOW, POWHOW instruction, POWHOW piano instruction, POWHOW.com, practicing a piece in 7 different emotions, practicing arpeggios, practicing piano, practicing piano with relaxation, publishers marketplace, publishersmarketplace, Rina, Rina 4 takes piano lessons, Rina takes piano lessons, rotation in piano playing, scales, shirley kirsten piano teacher in El Cerrito, Shirley Kirsten teaches classes at POWHOW, shirley s kirsten, Shirley Smith Kirsten, Skype a piano lesson to Australia, Skype piano lessons, slow mindful practicing, slow piano practicing, teaching piano to young children, teaching Rina piano, teachinig piano to young children, technique, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Technique: Playing beyond the fingers to sculpt beautiful phrases (Debussy Arabesque no. 1)

Many piano students who practice Debussy’s Arabesque no. 1 tend to grab and articulate notes, rather than let them flow from energy streaming down relaxed arms into supple wrists. Reliance on fingers-down playing becomes the panacea for accuracy, while it … Continue reading

Posted in "Just Being At the Piano", 19th Century music, 20th Century music, arioso 7, arpeggios, arpeggios for the piano, Claude Debussy, Debussy, Debussy Arabesque no. 1, Impressionistic music, Journal of a Piano Teacher from New York to California, Just Being at the Piano by Mildred Portney Chase, Mildred Portney Chase, pianist, piano, piano lessons, piano teaching, piano world-wide, playing piano, Shirley Kirsten, Shirley Smith Kirsten, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, yout tube | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 6 Comments

Piano Instruction, Part FOUR, Beethoven’s “Tempest” Sonata in D minor, Op. 31, No. 2 (measures 55-93)

This tutorial references measure 55 to 93. The composer settles into A minor through these measures and reinforces the A minor tonic to Neapolitan progression. (A minor to Bb Major chord) He elaborates, varies, and introduces a beautiful contrapuntal interplay … Continue reading

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In the Piano Universe: Two You Tube Treasures not to miss!

Every so often, I stumble upon an uploaded You Yube performance that grabs my ears. In this instance, it was a Mozart encore offered by pianist, Mitsuko Uchida, that led straight to a compelling videotaped interview with her. With my … Continue reading

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Practicing tips for Beethoven’s “Tempest” Sonata, Op. 31 No. 2, Part ONE: (Video)

Because I found myself rambling on and on about the first page, I decided to compartmentalize the instruction to make it easier to absorb. And since I played the “Tempest” years ago, the surest route to my restoring the piece … Continue reading

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Piano Instruction: How to practice Variation 2, Mozart Sonata No. 11 in A, K. 331 (Videos)

The biggest challenge in this particular variation is the fast-paced tempo and ornament execution–not to mention the fleeting 4 against 3 relationship of treble 32nds above 16ths in the bass. But the latter, should not be a big concern considering … Continue reading

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Piano Lesson: The challenge of playing a slow movement

I chose Muzio Clementi’s popular Sonatina in C, Op. 36, No. 1 to flesh out the contrasting middle movement designated ANDANTE by the composer. It’s definitely a challenge to play just 6 lines of music with beauty and finesse. As … Continue reading

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