Category Archives: Classical period sonata

Quality spot-practicing by an adult student: Beethoven’s “Fur Elise” (Video)

Marie, a motivated adult student, revisited piano studies after a decades-long hiatus. When she resumed lessons about 6 years ago, she made “Fur Elise” her goal-setting piece. Following long-term scale and arpeggio exposure accompanied by a detailed focus on minuets, … Continue reading

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Part Six Piano Instruction, Beethoven’s “Tempest” Sonata No. 17, Op. 31 No. 2 and all FIVE teaching segments preceding

In order from Part One to Six: I. II. III. IV. V. VI. LINKS: Part ONE: Beethoven Tempest Sonata in D minor http://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/ Part TWO Instruction http://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/ Part THREE Instruction https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/ Part FOUR Instruction http://arioso7.wordpress.com/2012/04/04/piano-instruction-part-four-beethovens-tempest-sonata-in-d-minor-op-31-no-2-measures-55-93/ Part FIVE Instruction http://arioso7.wordpress.com/2012/04/05/piano-instruction-part-five-beethovens-tempest-sonata-op-31-no-2-measures-93-to-158-development-recitative-submerged-pedal/ PART … Continue reading

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Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

This is a hauntingly beautiful section of the first movement. After the composer has devoted so many preceding measures to the key of A minor, he decides to travel at quick intervals through a series of different keys. Such fast-paced … Continue reading

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Practicing tips for Beethoven’s “Tempest” Sonata, Op. 31 No. 2, Part ONE: (Video)

Because I found myself rambling on and on about the first page, I decided to compartmentalize the instruction to make it easier to absorb. And since I played the “Tempest” years ago, the surest route to my restoring the piece … Continue reading

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After midnight MOONLIGHT Sonata–why not another try, first movement (BEETHOVEN–video)

I had nothing better to do at 1 a.m. and Aiden cat had settled down on the rug beside the piano. This time he had no energy reserves to leap to the window sill and make a racket. (Notice how … Continue reading

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A favorite performance on You Tube: Ingrid Fliter, pianist plays Beethoven–Gilmore Artist Award winner

Ingrid Fliter was born in Buenos Aires and received most of her musical training in Europe. A few years ago she serenaded Fresno audiences as a soloist on our esteemed Philip Lorenz Memorial Keyboard Concerts series. At the time, I … Continue reading

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Piano Instruction: Common student problems related to playing Clementi Sonatina, Op. 36, No. 3, Spiritoso (Video)

The student I’m currently teaching by Skype has received a number of supplemental videos from me that target problems universal to those learning Clementi Sonatina, Op. 36, No. 3. In this video, geared for teachers as well as students, I … Continue reading

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My own slow practicing, Presto Agitato, Beethoven’s “Moonlight” Sonata (VIDEO)

This was an opportunity to sift through the first part of the last movement in slow motion following the collaboration with my adult student yesterday. My below tempo practicing, was a baby step progression to a more bravado reading. (when … Continue reading

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Piano Lesson: W.A. Mozart Rondo Alla Turca: Allegretto from Sonata, K.331 (Videos)

In my instructional video, I discuss how Mozart’s light-hearted Rondo is formed and ways to practice it. (The Rondo has a redundant “A” section, interspersed with contrasting B, C, D, etc. musical material) There’s a dualism of “A” minor/”A” Major … Continue reading

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Piano instruction: Beethoven’s Sonata “Pathetique,” Adagio mvt.–applying voice analysis and muscle memory to the opening ( 4 Videos)

The Adagio movement of Beethoven’s Pathetique Sonata requires attentive listening, deep in the key practicing, muscle memory, and a natural breath that flows out of phrases. I start with the top most voice and work my way through to the … Continue reading

Posted in Beethoven, Beethoven Pathetique, Classical era, classical music, Classical period sonata, classissima, classissima.com, El Cerrito, El Cerrito California, El Cerrito piano studio, muscular memory, music and heart, music teachers association of california, music theory, musical inspiration, New York City High School of Performing Arts, New York University, Oberlin Conservatory, pianist, piano, piano addict, piano instruction, piano lesson, piano lessons, piano pedagogy, piano practicing, piano society, Piano Street, piano student, piano studio, piano teacher, piano technique, piano tutorial, Piano World, pianoaddict.com, pianoworld, pianoworld.com, publishers marketplace, publishersmarketplace, publishersmarketplace.com, word press, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , | 4 Comments