Category Archives: classissima.com

Piano Technique: Split-Screen, rolling 4-note arpeggios (C# minor; B minor)

I love to work with students on 4-note arpeggios through inversions, prompting them to ROLL into horizontal, curvaceous groups of notes to avoid up and down finger poking. The elements of visualization (“imagining” motion SHAPES); kinesthetic translation (counterclockwise arm motions) … Continue reading

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Piano Teacher Stories from the War Zone! (Part One)

So many of us in the field of teaching can hearken back to our earliest piano student years and flesh out a particular individual who was the “worst” teacher to ever come our way. In my case, it was my … Continue reading

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Piano Technique: Psychological and physical approaches to staccato (Video)

Today’s romp in F# minor (melodic form) brought new awakenings in the universe of bouncy staccato through scales and arpeggios–(in big Forte projection, followed by a soft, piano range rendering) Within the psychological universe where mental images abound, catchwords like … Continue reading

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Ornaments, Romantic Style: Don’t be enslaved, but master them

There’s nothing more inhibiting to piano playing than being boxed in by ornaments–tied down by their inertia and lack of smooth resolution. For certain, if you’re threatened by them, or anticipate the worst possible outcome, ENTRAPMENT, then it guarantees a … Continue reading

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The shrinking world of music

To put it lightly, degrees of separation in our musical cosmos are melting rapidly. By example, a Facebook post to my profile page from my 1960s era Orchestra teacher, led to a long lost neighbor who was the youngest member … Continue reading

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Prjevalskaya soars as a world-wide pianist!

Marianna Prjevalskaya, an international personality, with roots in Spain; mentored in her formative years by her Russian mother, is a conspicuously accomplished pianist. As she journeys from one competition to another, she’s racking up prizes in every venue imaginable. But … Continue reading

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Piano Technique: A Legato to staccato arpeggio with “rolls and snips”

When playing a three-note (root, third, fifth) arpeggio over a spread of 3-4 octaves, the ROLLING motion that permeates a Legato rendering in triplets, can nicely snip into a buoyant staccato, if the arm, wrist and fingers are unimpeded by … Continue reading

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