Category Archives: classissima

A Feast of pianist, Richard Goode’s Artistry and a walk down memory lane

I hand-selected a particular recital for an outing with my adult student, Jocel. While he’d suggested a Yuja Wang foray at Davies Concert Hall in San Francisco, I prodded him to first experience the sublime artistry of Richard Goode. (Location: … Continue reading

Posted in Berkeley, Berkeley CA, classissima, classissima.com, Franz Schubert, Franz Schubert sonatas, Journal of a Piano Teacher from New York to California, piano, Richard Goode, Schubert, Zellerbach Hall, Zellerbach Hall in Berkeley, Zellerbach in Berkeley California | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

A Romp through F# Major scales and arpeggios

F# Major, from a certain perspective, happens to be one of the easier scales to play because it falls into patterns of triple black and double black keys with thumbs meeting in between. In fact, both hands have mirror fingers … Continue reading

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Facing the Music on FACETIME

Burgmuller’s “SORROW” received a BOOST on FACETIME where it was the PITS on SKYPE. The latter sometimes mimics jet landings with a whoosh sound, while an echo chamber effect causes unwanted tremolos. In this “FACE”-beamed environment, a formerly LIVE student … Continue reading

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The value and application of slow piano practicing

Angela Hewitt boldly emphasizes the importance of slow practicing in this brief video segment. She states that everything you do behind tempo should be molded into a faster reading as to phrasing, dynamics, etc. And it goes without saying that … Continue reading

Posted in Angela Hewitt, Classical era sonata, classissima, Haydn Sonata in Eb Haydn Sonata in Eb Hob.XVI:52 (Rondo), Haydn Sonata in Eb Hob.XVI:52, piano lesson, Shirley Smith Kirsten | Tagged , , , , , , , , , , , , , , , , , | Leave a comment

Piano technique is about flexibility not finger strength

I remember my days at the Oberlin Conservatory pumping out meaningless Schmitt finger exercises, often holding notes down, while a selected persecuted finger had to brave the pain is gain ritual. (tap, tap, tap, tap, and move on to the … Continue reading

Posted in classissima, classissima.com, Franz Josef Haydn, Haydn Sonata in Eb Hob.XVI:52 (Rondo), Haydn Sonatas, Journal of a Piano Teacher from New York to California, Oberlin Conservatory, piano lessons, piano study, piano technique, Schmitt exercises, Shirley Kirsten, wordpress, wordpress.com, you tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Practicing: Taking the robot out of fast passages

It’s easy to stare at a Presto Rondo from the Classical era, and wonder how to navigate scads of notes that can end up on the assembly line, pumped out with no sense of individuality. And while herds of them … Continue reading

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Comparing two performances Of Chopin’s Nocturne in Db, Op. 27, No. 2

I had a reunion with a childhood friend over Skype this past weekend, and our conversation drifted to concerts we both attended in the 1970’s at Carnegie Hall. For me, one was memorable, the other, not. Horowitz had made a … Continue reading

Posted in classissima, classissima.com, Journal of a Piano Teacher from New York to California, Maurizio Pollini, No.2, piano, Shirley Kirsten, Shirley Smith Kirsten, Vitalij Margulis, Vitaly Margulis | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment