Category Archives: Claude Debussy

Debussy Arabesque No. 1 blends well with East Bay seascapes (Video)

I couldn’t resist the temptation to embed Bay panoramas in a Debussy soundtrack. It followed my journey along the scenic Amtrak 711 route. A new set of vistas were framed by a whizzing train’s marred window. Yet the mood paintings … Continue reading

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Ena Bronstein, pianist, plays Debussy’s “Feux D’artifice” (recorded “live” in concert)

A further blend of music and seascapes, not to mention muted swans. Ena Bronstein was my former teacher in Fresno before she departed for the East Coast. Currently, she’s on the faculty of Westminster Choir College of Rider University, Princeton, … Continue reading

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Piano Technique: Playing beyond the fingers to sculpt beautiful phrases (Debussy Arabesque no. 1)

Many piano students who practice Debussy’s Arabesque no. 1 tend to grab and articulate notes, rather than let them flow from energy streaming down relaxed arms into supple wrists. Reliance on fingers-down playing becomes the panacea for accuracy, while it … Continue reading

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Debussy Arabesque No. 1 and the back story (Video)

Speaking of pianos, and decisions about which to use, I decided to give Haddy Haddorff another opportunity to sing like a nightingale. This was a late-into-the-night sound exploration following an earlier trip to the Mac Store at Fresno’s Fashion Fair … Continue reading

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A Piano Lesson in progress: Debussy Arabesque No. 1

Students find it helpful to revisit parts of their lessons on video. They can pinpoint ways of practicing in baby steps by separating hands, parceling out voices, and shaping phrases. Yesterday, an adult student and I worked on the first … Continue reading

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Aiden Cat Dozes off to Debussy (Video)

Looks like Aiden was out like a light… except for 2 well-timed ear twitches … otherwise, zzzzzzzzzzzzzzzzzzzzz Arabesque no. 1 Played on my Haddorff console piano (manuf. 1951) a real musical treasure with divine resonance. Aiden’s awake-time pics: RELATED: A … Continue reading

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Piano Instruction: Part Two Debussy Arabesque, No. 1, Teacher, Shirley Kirsten (Video #2)

Part two transitions to A Major. (The composition is in E Major) and has a different character though motifs and ideas from the opening section intersperse this portion of the Arabesque. A very noteworthy change that occurs with the modulation … Continue reading

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