Category Archives: counterpoint

Performing a piece–Getting it right (all the notes) OR really getting it right (the phrasing and nuance) VIDEOS

For many pianos students, playing 100% perfect notes, with no clunkers is goal in itself. They breathe a sigh of relief looking back on a video of a recital, where they managed to “get it right,” counting correct notes from … Continue reading

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Piano Instruction: J.S. Bach Invention no. 8 in F, BWV 779, using a spring forward wrist and hand rotation, Three Videos

I introduced my tutorial by playing a snatch from Edna-Mae Burnam’s Dozen a Day, Book 1, no. 3 “Hopping.” It was the springboard for the wrist motion I use when playing Invention 8 in F Major. I also enlist a … Continue reading

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Revisiting J.S. Bach’s Invention 1 in C, BWV 772 (Video)

Yesterday I had the novel experience of working on Bach’s Invention 1 in C Major, via long distance transmission. Beamed to Sydney, Australia, by way of SKYPE, I found myself having gained new insights about a piece I had temporarily … Continue reading

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Playing through the entire Bach Fugue, BWV847 in C minor, fleshing out form as I go along (VIDEO)

The score is copied below the video: http://www.teoria.com/articulos/analysis/BWV847/index.htm RELATED: Analysis of Fugue in C minor, BWV847: Subject, Counter-subject I and II, Exposition, Episodes (Development) Recap subject, etc. http://arioso7.wordpress.com/2011/07/04/piano-instruction-analysis-j-s-bach-fugue-in-c-minor-bwv847-videos/

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Piano Instruction: Analysis J.S. Bach Fugue in C minor, BWV847 (Videos)

This first video represents Part One of my Discussion and Analysis of the Fugue, BWV 847, inclusive of the Exposition. (I use the Palmer edition) In the course of a fugue, the SUBJECT should always be fleshed out in whatever … Continue reading

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What can you do with a Performance-Piano Degree?

Face the music! Most new Conservatory grads with fancy Bachelor of Music, Performance-Piano Degrees bound in leather must improvise when catapulted into the competitive job market. With only a tiny space on the world stage reserved for budding soloists, many … Continue reading

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Adult piano students say and do the darndest things.

I remember Art Linkletter’s show, “Kids Say the Darndest Things,” which made me think of a few adult piano students and their hauntingly memorable words. Yesterday, for example, I was forewarned by a 70-year old pupil, that I should expect … Continue reading

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Piano Technique: Big Leaps, Crossed Hands, and shifty eyeballs (with slow motion video replay)

up tempo: Be prepared to exercise your eyeballs minus head movements when tackling large leaps, especially those hand-over-hand acrobatics that are intrinsic to many of Domenico Scarlatti’s sonatas. In the first video I’ve isolated a few of these jumps from … Continue reading

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Domenico Scarlatti Sonata (Toccata) in D minor, K. 141 with reams of repeated notes (VIDEO)

Domenico Scarlatti never fails to come up with a flashy pyrotechnical escapade that can make or break a player in progress. I know, because I’ve walked the plank with this piece until I was able to reverse my fortune and … Continue reading

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The Big Baroque Festival!

I cleared most of my Saturday morning lessons so I could be on time for a special rehearsal at Fresno State. I took no chances given the steady rain these past few days that caused dangerously deep puddles along Shaw … Continue reading

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