Category Archives: Elaine Comparone

Baroque Ornaments, execution, style, context and taste: A Conversation with Elaine Comparone

One of the delights of my trip back to hometown New York City, was an encore visit with Elaine Comparone! Continue reading

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Piano Instruction: Piecing out and Practicing J.S. Bach Little Prelude in F, BWV 927

One of my colleagues who filmed a tutorial on this gem, called it a “BEGINNER” composition, yet, in truth, it’s not in the easy column. It demands a fluent technique and a thoughtful approach to learning that includes harmonic analysis, … Continue reading

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Should a teacher demonstrate phrasing and interpretation for a student?

I asked a few piano teachers and a harpsichordist if they felt playing passages, phrases for a student was a viable way to teach, and why? Seymour Bernstein, author, With Your Own Two Hands, rendered a riveting opinion: “I have … Continue reading

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Comparone plays Bach on the harpsichord with a palette of emotions

I must admit that I usually experience the “minor” key with poignant intensity, but when I heard Elaine Comparone’s most recent performance of J.S.Bach’s celebrated D minor concerto, I felt her inner smile radiate through ripples and waves of luscious … Continue reading

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My side-by-side harpsichord/piano chat with Elaine Comparone in her NYC musical sanctuary

My visit with Elaine Comparone, harpsichordist, was the first of my musical treats after touching down in hometown New York. While the weather was a bit gray and unseasonable, Maestra Elaine lifted my spirits with her impeccably beautiful reading of … Continue reading

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Bach with and without Pluck

Elaine Comparone and Dusan Bogdanovic produced a stunning CD, combining harpsichord and guitar in their J.S Bach Inventions and Sinfonias collaboration. Both musicians have firmly established reputations as fine performers and recording artists so their get-together has surely been a … Continue reading

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Piano Instruction: Can we over-analyze a Bach fugue?

Little Bach Fugue in C, BWV 952 required insights into its organized structure so I could better teach it. But how much analysis was required and could it be trusted? Continue reading

Posted in Bach, Bach Little Fugue in C major BWV 952, Baroque form fugue, classissima, classissima.com, Elaine Comparone, fugue form analysis, J.S. Bach BWV 952 in C Major, J.S. Bach Fugue form, Jan Karman, Lance Walton, piano instruction, piano lessons, Shirley Kirsten, Shirley Smith Kirsten, Theory, Theory and piano lessons, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment