Category Archives: Eugene Lehner

Showcasing two of my exquisite instruments (Violin and Piano)

First the violin, a 1799 Horenstainer, Mittenwald that replaced the “cigar box” I was handed as a kid. My precious teacher, Samuel Gardner selected this German original for me in Paris, France. From there, I took it to Merrywood music … Continue reading

Posted in Eugene Lehner, Horenstainer violin 1799 Mittenwald, Journal of a Piano Teacher from New York to California, Mittenwald, piano, Shirley Kisten, Shirley Smith Kirsten, Steinway upright piano model 1098, vintage violin, violin, word press, word press.com, wordpress | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Shrinking degrees of separation in the music world?

The musical universe is smaller than we think. And perhaps this writing will incubate a linked chain of “connections” that will go further–especially since my relocation to Berkeley, California (September, 2012) So here it is: Now that I’m well past … Continue reading

Posted in Bel Kaufman, Claudio Arrau, Daniel Waitzman, Elaine Comparone, Eugene Lehner, Franz Mohr, Gerard Schwarz, Herbert Gardner, Indiana University, James Gardner actor, Leon Fleisher, Lillian Freundlich, Lillian Lefkofsky Freundlich, Marble Hill Projects, Marjorie Janove, Menahem Pressler, Murray Perahia, Raphael de Silva, Roselle Kemalyan, Samuel Gardner, Seagate, Seymour Bernstein, six degrees of separation, six degrees of separation in the music world, Theodor Leschetizky, Vladimir Horowitz | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

Mozart memories, reflections and revisits (Videos)

Andante: second movement, Mozart Sonata K. 545 played on my Steinway, 1917, M. **** My relationship to Mozart and his music began with the violin. At the Merrywood Music Camp in Lenox, Massachusetts, only a stone’s throw from Tanglewood, I … Continue reading

Posted in Eugen Lehner, Eugene Lehner, Haddorff, harpsichord, Harpsichord Unlimited, interpreting Mozart, Juilliard School, Kolisch Quarter, Kolisch Quartet, learning piano, Lenox, Lillian Freundlich, Lillian Lefkovsky Freundlich, Massachusetts, Merrywood Music Camp, mind body connection, mindful piano practicing, molto cantabile, Mozart, Mozart 545 Andante, Mozart sonata in C K545, Mozart String Quartet K. 387, music, music and heart, music and the breath, music teachers association of california, musical inspiration, musical phrasing, musical phrasing and breathing, New York, New York City, New York City High School of Performing Arts, pedaling at the piano, phrasing at the piano, pianist, piano, piano instruction, piano instructor, piano lessons, piano pedagogy, piano playing and breathing, piano playing and relaxation, piano repertoire, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, practicing the left hand at the piano, publishersmarketplace, publishersmarketplace.com, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, singing tone legato, slow mindful practicing, Uncategorized, W.A. Mozart, word press, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment