Category Archives: fingering and phrasing at the piano

Piano Technique: Focusing on Rotation in arpeggios, and building up a scale (Videos)

These are two supplementary videos that I created for adult students between lessons. As previously mentioned, they clarify and reinforce the content of our class, and map out ways to practice. I. ROTATION at the turnaround of a B minor … Continue reading

Posted in adult piano students, arioso7, blog, blogger, blogging, blogging about piano, blogs about piano, Circle of Fifths, classissima, classissima.com, El Cerrito, El Cerrito California, El Cerrito piano lessons, El Cerrito piano studio, finger staccato, fingering and phrasing at the piano, fingering and piano technique, Journey of a Piano Teacher from New York to California, keyboard technique, MTAC, Oberlin, Oberlin Conservatory, pianist, piano, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano practicing motivators, piano scales and arpeggios, piano study, piano teacher, piano technique, piano technique and the singing tone, piano warm-ups, Piano World, piano world-wide, pianoaddict.com, playing legato at the piano, playing piano with expression, playing staccato at the piano, playing the piano, playing the piano with long nails, POWHOW, POWHOW instruction, POWHOW piano instruction, POWHOW.com, practicing scales and arpeggios, rotation in piano playing, rotation in piano practicing, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Growing piano technique in baby steps: Rina, 5, advances to hands together five-finger positions (adding in 10ths)

Rina may not know the words “pentascales” and “tenths,” but she has the intelligence to notice when her fingers move up and down together, playing the same notes an “octave” apart. With a sound knowledge of the music alphabet in … Continue reading

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Piano Lesson: The challenge of playing a slow movement

I chose Muzio Clementi’s popular Sonatina in C, Op. 36, No. 1 to flesh out the contrasting middle movement designated ANDANTE by the composer. It’s definitely a challenge to play just 6 lines of music with beauty and finesse. As … Continue reading

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When the piano teacher is absent between lessons, a You Tube video can fill in the gap (Fur Elise and chord voicing)

Lately, students have benefited from receiving supplemental video instruction during the interval between their weekly lessons. By videotaping parts of their sessions and uploading to You Tube, they can often make their daily practice time more efficient. Today, for example, … Continue reading

Posted in blog, blogger, blogging, blogging about piano, blogs about piano, chord voicing at the piano, classissima, classissima.com, fingering and phrasing at the piano, fingering and piano technique, Fur Elise by Beethoven, Journal of a Piano Teacher from New York to California, Ludwig Van Beethoven, pianist, piano, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano technique, piano world-wide, Pianostreet.com, pianoworld, pianoworld.com, playing chords at the piano, playing piano, relaxed arms in piano playing, supple wrist in piano playing, video supplementation of piano lessons, word press, word press.com, wordpress, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , | 1 Comment

The Piano Repertoire: Does making fingering/hand adjustments constitute a “swindle?”

Seymour Bernstein, author of With Your Own Two Hands, remarked that “Chopin wrote out an outline for an intended method of teaching piano. And when he died he left it to Charles Alkan who never finished it. Wouldn’t you think … Continue reading

Posted in Beethoven Sonata Appassionata, Charles Alkan, Chopin, Conversations with Arrau by Joseph Horowitz, Conversations with Arrau by Joseph Horwitz, Faschingsschwank aus Wien by Schumann, fingering and phrasing at the piano, fingering and piano technique, Frederic Chopin, Gershwin Prelude no. 2, Gershwin Prelude no. 2 and fingering changes, Intermezzo Faschingsschwank aus Wien by Schumann, Philip Lorenz, pianist, pianists, piano, piano technique, player piano, Seymour Bernstein, Seymour Bernstein author With Your Own Two Hands, Seymour Bernstein composer, Seymour Bernstein pianist, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, swindle, word press, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment