Category Archives: Halina Czerny-Stefanska

Old World piano playing (1949) with a pronounced wrist break

The supple wrist amounts to a “wrist break” that is discouraged among partisans of the Taubman approach. In the main, they adhere to a forearm-driven piano technique along with rotation, and relaxation . The videos embedded, however, contradict such rigid thinking about the wrist, as demonstrated by the performance of a Polish pianist (1949) A Chopin Mazurka is energized by redundant wrist breaks without incurred injury. As one colleague related in reference to Taubman/Golandsky, “how could decades of Russian teaching so easily be tossed aside.” Continue reading

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