Category Archives: Lillian Freundlich

Revisiting an old piano piece learned years earlier

I find my current musical journey down memory lane to be joyful and challenging–especially as I cut and paste the Mozart Rondo: Allegro, K. 311 pages to fit comfortably on the piano rack. (Deja Vu, Haydn C Major Hoboken XVI35–Haydn … Continue reading

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A sentimental journey taken with Mozart

Musical memories rekindled Continue reading

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George Li’s pianistic idol: Russell Sherman

In a compelling personal interview, Georgle Li waxed poetic about Russell Sherman’s artistry: “I really admire and love his playing. It’s so colorful, yet so unique that it’s totally inspiring. There is so much character, so much drama, and he … Continue reading

Posted in Beethoven's Op. 109 Sonata, classissima, classissima.com, George Li, Irwin Freundlich, Jeremy Eichler, Journal of a Piano Teacher from New York to California, Lillian Freundlich, NEC, New England Conservatory, pianist, piano, piano repertoire, Russell Sherman, Shirley Kirsten, Shirley Smith Kirsten, The Boston Globe, Wha Kyung Byun, word press, word press.com, wordpress, wordpress.com, you tube video, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

Irina Morozova’s inspiring words flow through a lesson with an adult student (Beethoven’s Fur Elise-in-progress) Video

“From watching great pianists it is obvious that they incorporate quite different movements to achieve the same goals, because people do not play piano with fingers but rather with the mind and the ear. Again, it is the clear image … Continue reading

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What “authentic” edition should a piano student use when learning repertoire of the Masters?

I’m thinking back to my ancient days studying with Lillian Freundlich in New York City. During this period, like any fledgling I relied on my teacher as an “authority” figure to recommend what Mozart Sonata edition, for example, I should … Continue reading

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Shrinking degrees of separation in the music world?

The musical universe is smaller than we think. And perhaps this writing will incubate a linked chain of “connections” that will go further–especially since my relocation to Berkeley, California (September, 2012) So here it is: Now that I’m well past … Continue reading

Posted in Bel Kaufman, Claudio Arrau, Daniel Waitzman, Elaine Comparone, Eugene Lehner, Franz Mohr, Gerard Schwarz, Herbert Gardner, Indiana University, James Gardner actor, Leon Fleisher, Lillian Freundlich, Lillian Lefkofsky Freundlich, Marble Hill Projects, Marjorie Janove, Menahem Pressler, Murray Perahia, Raphael de Silva, Roselle Kemalyan, Samuel Gardner, Seagate, Seymour Bernstein, six degrees of separation, six degrees of separation in the music world, Theodor Leschetizky, Vladimir Horowitz | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

Mozart memories, reflections and revisits (Videos)

Andante: second movement, Mozart Sonata K. 545 played on my Steinway, 1917, M. **** My relationship to Mozart and his music began with the violin. At the Merrywood Music Camp in Lenox, Massachusetts, only a stone’s throw from Tanglewood, I … Continue reading

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