Category Archives: Mozart

Piano playing at its most inspirational level

Posted on March 19, 2013 by

Divine music-making from a seasoned pianist in a memorable retrospective Continue reading →

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Revisiting an old piano piece learned years earlier

Posted on February 13, 2013 by

I find my current musical journey down memory lane to be joyful and challenging–especially as I cut and paste the Mozart Rondo: Allegro, K. 311 pages to fit comfortably on the piano rack. (Deja Vu, Haydn C Major Hoboken XVI35–Haydn … Continue reading →

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A sentimental journey taken with Mozart

Posted on February 4, 2013 by

Musical memories rekindled Continue reading →

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Piano Instruction: Suggested ways to practice Mozart Rondo: Allegretto, K. 545 in C Major

Posted on January 13, 2013 by

Having been through years of practicing and teaching this Mozart Alegretto, I have a few epiphanies that might benefit others. In the attached video, I assert that the opening Rondo motif with its lively thirds should not spill into an … Continue reading →

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Fingering snarls in Mozart’s Allegretto, Sonata in C, K. 545 and suggested remedies from the experts

Posted on January 3, 2013 by

We all have our nemesis. The last measures (68-73) of Mozart’s rondo: Allegretto, K. 545, Sonata in C Major, have ensnared me, barring smooth passage to final cadence. For others the journey is uneventful. Who knows? Size of hands, finger … Continue reading →

Posted in Beth Levin, Elaine Comparone, fingering choices and pianists, Irina Morozova pianist, Mozart, Mozart Allegretto K. 545, Seymour Bernstein, Uncategorized, Wolfgang Amadeus Mozart | Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment

My NYC visit with Seymour Bernstein, pianist, teacher, author and composer

Posted on December 6, 2012 by

Seymour Bernstein is about to add a movie to his list of artistic conquests. A documentary produced and directed by Ethan Hawke is in progress, and who knows, it might land an Oscar. Seymour is so multi-talented that it’s difficult … Continue reading →

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The pianist as conductor, choreographer, and singer (Mozart Andante, Sonata in C Major, K. 545)

Posted on November 28, 2012 by

How to integrate the physical, emotional and singable when learning Mozart’s Sonata in C Major, K. 545, Andante. Continue reading →

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Comparing performances of Mozart Sonata in C, K. 545, Movement 1, Allegro (Tempo, alone can make a big difference)

Posted on March 31, 2012 by

Over time, when we return to a piece that is well-learned, and in some cases has become a bit too predictable without a touch of inspiration, a revitalized, updated version might be worth a try. In this regard, I’m always … Continue reading →

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Piano Technique: Here come the crossed hands in Mozart Sonata in A Major, K. 331 (Variation 4) Videos

Posted on March 22, 2012 by

Breathe a sigh of relief if you’ve managed to brave the difficult parallel octaves in forte legato! (Variation 3) Mozart is not done. He challenges you in Variation 4 with left-hand-over-right maneuvers. So be ready to relax your wrists and … Continue reading →

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Piano Instruction: How to practice Variation 2, Mozart Sonata No. 11 in A, K. 331 (Videos)

Posted on March 18, 2012 by

The biggest challenge in this particular variation is the fast-paced tempo and ornament execution–not to mention the fleeting 4 against 3 relationship of treble 32nds above 16ths in the bass. But the latter, should not be a big concern considering … Continue reading →

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