Category Archives: piano instruction

The Chopin Waltz No. 19 in A minor is Poetry in Motion

Adult piano students who aspire to play the Op. Posthumous A minor Waltz must immerse themselves in a poetic musical framing, floating notes with supple wrists and relaxed arms. In the bass, support for a horizontally spun melody should prevail, … Continue reading

Posted in adult piano instruction, Chopin Waltz in A minor Op. Posthumous, Classical music blog, classissima.com, Journal of a Piano Teacher from New York to California, piano blog, piano instruction, piano lesson, piano teaching, Shirley Kirsten | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

A six-year old child is awakened to the singing tone and how to produce it

The earliest exposure to the piano in the primary lesson learning environment comes with an opportunity to teach the singing tone– to sensitize young ears to the instrument’s capacity to resonate with beauty. It’s not just an ear-training experience. The … Continue reading

Posted in classissima.com, early music education, Irina Morozova, music education, piano blog, piano instruction, piano lessons, piano pedagogy, Shirley Kirsten, Shirley Smith Kirsten, teaching piano to young children, The Special Music School/Kaufman Center | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Sequences and Phrase contouring in J. S. Bach’s French Suite No. 5, BWV 816

An adult student and I explored sequences in the Allemande opener of Bach’s French Suite in G as we parceled out the treble and bass lines. (Still another voice that danced from the alto to tenor range, was separately identified … Continue reading

Posted in J.S. Bach French Suite No. 5 in G, J.S. Bach French Suite no. 5 in G Major BWV 816, Jourhal of a Piano Teacher from New York to California, pianist, piano, piano addict, piano instruction, piano instructor, piano instuction, piano learning, piano lesson, piano lessons, piano technique, Shirley Kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, Shirley Smth Kirsten, teaching piano to adult students, word press, wordpress.com, you tube, you tube video, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Technique: Respiration NOT perspiration

My students remind me to breathe long, natural breaths when playing through scales and arpeggios from moderate to brisk tempos. Through a selective process of elimination, we’ve collectively come to the conclusion that SWEATING it out, or driving technique to … Continue reading

Posted in arioso7, piano instruction, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Shaping a J.S. Bach Two-Part Invention

Many students play J.S. Bach’s music with a typed out, articulated approach, forgetting to shape and contour phrases. In Bach’s F Major Invention, BWV 779, the tendency is to overemphasize every element of broken chord F, A, C, F, in … Continue reading

Posted in Johann Sebastian Bach, piano instruction, wordpress.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The funnies of finding the right piano student

Ever heard of takelessons.com or related web links that hook up teachers and students? It’s like Match.com when it comes to a mountain of challenges. Here’s an On SITE sample where a music teacher BIDS for a job, like a … Continue reading

Posted in piano instruction, South Carolina, wordpress.com | Tagged , , , , , , , , , , , | 7 Comments

Parceling out voices in Chopin’s Nocturne in F Major, Op. 15

Soprano, Alto, Tenor, Bass scoring in Chopin’s hauntingly beautiful F Major Nocturne (opening section) begs for an artistic examination through voice parceling. One cannot just paste the left hand onto the right, deferring entirely to the soprano. (soloist) Meandering chromatics … Continue reading

Posted in no. 1, piano instruction, Piano Street | Tagged , , , , , , , , , , , , , , , , , , , , , , | 2 Comments