Category Archives: playing piano with expression

Piano Technique: Focusing on Rotation in arpeggios, and building up a scale (Videos)

These are two supplementary videos that I created for adult students between lessons. As previously mentioned, they clarify and reinforce the content of our class, and map out ways to practice. I. ROTATION at the turnaround of a B minor … Continue reading

Posted in adult piano students, arioso7, blog, blogger, blogging, blogging about piano, blogs about piano, Circle of Fifths, classissima, classissima.com, El Cerrito, El Cerrito California, El Cerrito piano lessons, El Cerrito piano studio, finger staccato, fingering and phrasing at the piano, fingering and piano technique, Journey of a Piano Teacher from New York to California, keyboard technique, MTAC, Oberlin, Oberlin Conservatory, pianist, piano, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano practicing motivators, piano scales and arpeggios, piano study, piano teacher, piano technique, piano technique and the singing tone, piano warm-ups, Piano World, piano world-wide, pianoaddict.com, playing legato at the piano, playing piano with expression, playing staccato at the piano, playing the piano, playing the piano with long nails, POWHOW, POWHOW instruction, POWHOW piano instruction, POWHOW.com, practicing scales and arpeggios, rotation in piano playing, rotation in piano practicing, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Part Six Piano Instruction, Beethoven’s “Tempest” Sonata No. 17, Op. 31 No. 2 and all FIVE teaching segments preceding

In order from Part One to Six: I. II. III. IV. V. VI. LINKS: Part ONE: Beethoven Tempest Sonata in D minor http://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/ Part TWO Instruction http://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/ Part THREE Instruction https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/ Part FOUR Instruction http://arioso7.wordpress.com/2012/04/04/piano-instruction-part-four-beethovens-tempest-sonata-in-d-minor-op-31-no-2-measures-55-93/ Part FIVE Instruction http://arioso7.wordpress.com/2012/04/05/piano-instruction-part-five-beethovens-tempest-sonata-op-31-no-2-measures-93-to-158-development-recitative-submerged-pedal/ PART … Continue reading

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Irina Morozova’s inspiring words flow through a lesson with an adult student (Beethoven’s Fur Elise-in-progress) Video

“From watching great pianists it is obvious that they incorporate quite different movements to achieve the same goals, because people do not play piano with fingers but rather with the mind and the ear. Again, it is the clear image … Continue reading

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The Most Heavenly Piano Music?

Mozart’s Theme from his A Major Sonata, K. 331, and Beethoven’s Adagio from the Sonata “Pathetique,” Op. 13, for me, have two of the most hauntingly beautiful melodies in the piano literature. In particular, Mozart’s opening theme that threads through … Continue reading

Posted in Mozart, pianist, piano, piano blog, piano blogging, piano blogs, piano instruction, piano lessson, piano playing, Pianostreet.com, pianoworld, pianoworld.com, playing piano, playing piano with expression, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, Sonata in A Major K. 331 by Mozart, whole body listening, whole body music listening, Wolfgang Amadeus Mozart, word press, word press.com, wordpress, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Technique: Burgmuller’s Tarentelle, Op. 100-Fueling and shaping fast passages with a dipping, supple wrist (Videos)

Most piano students will have been assigned a Burgmuller selection or two during their formative years of study. And most likely, these would have been snatched from the composer’s Twenty-Five Progressive Pieces, Op. 100 that advance by steps in difficulty, … Continue reading

Posted in Burgmuller "La Chasse", Burgmuller Inquietude, Burgmuller pastorale, Burgmuller Pastorale Op. 100, Burgmuller Tarentelle, Burgmuller The Chase, Burgmuller's Op. 100 Twenty-Five Progressive Pieces, classissima, classissima.com, Friedrich Burgmuller, music, music and heart, music teachers association of california, New York City High School of Performing Arts, Oberlin Conservatory, pianist, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano pedagogy, piano playing, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano practicing, piano repertoire, piano student, piano study, piano teachers, piano teaching, piano technique, piano technique and the singing tone, piano world-wide, pianoworld, pianoworld.com, playing piano with expression, playing the piano, playing the piano with a singing tone, practicing difficult piano passages, practicing piano with relaxation, Romantic era music, Romantic era piano music, Romantic era piano repertoire, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, slow piano practicing, Steinway M grand piano, studying piano, supple wrist in piano playing, swinging arms in playing piano, teaching a piano student about melody, teaching piano, teaching piano to adults, teaching piano to children, teaching piano to teenagers, technique, The art of phrasing at the piano, Twenty five Progressive pieces by Burgmuller, video instruction, word press, word press.com, wordpress, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Technique: More wrist-forward rolling motion in Sonatina by Clementi Op. 36 no. 1 Vivace (Videos)

In two videos, I flesh out the need for a rolling forward wrist motion in playing the last movement of Clementi’s well-known Sonatina in C, vivace. In addition, a 3/8 meter designation in rapid tempo requires the “feeling” of ONE … Continue reading

Posted in Clementi Sonatina in C Op. 36 no. 1, Clementi Sonatina in C Op. 36 no. 1 Vivace, forward rolling wrist motion, Journal of a Piano Teacher from New York to California, phrasing at the piano, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano pedagogy, piano playing, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano playing and the singing tone, piano practicing, piano practicing motivators, piano practicing with use of a camcorder, piano repertoire, piano studio, piano study, piano teacher, piano teaching, piano teaching repertoire, piano technique, piano tutorial, piano warm-ups, Piano World, piano world-wide, pianoworld, pianoworld.com, playing piano, playing piano with expression, playing staccato, playing staccato at the piano, playing the piano, playing the piano with a singing tone, practicing difficult piano passages, practicing piano passages with rhythms, practicing piano with relaxation, practicing the left hand at the piano, publishersmarketplace, publishersmarketplace.com, scale fingerings, scales, scales and arpeggios, scales for the piano, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, Steinway grand piano, Steinway M grand, supple wrist in piano playing, swinging arms in playing piano, teaching a piano student about melody, teaching piano, teaching piano to adults, teaching piano to children, teaching piano to teenagers, whole body listening, whole body music listening, word press.com, wordpress, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Abby Whiteside and playing beyond the fingers as a point of departure (Videos)

From WIKI: Abby Whiteside (1881–1956) was an influential American piano teacher. She challenged the finger-centric approach of much classical piano teaching and instead advocated a holistic attitude in which the arm and torso are the conductors of a musical image … Continue reading

Posted in Abby Whiteside, Mastering the Chopin Etudes and Other Essays by Abby Whiteside, phrasing at the piano, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano playing, piano tutorial, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing piano, playing piano with expression, playing the piano, Shirley Smith Kirsten, shirley smith kirsten blog, singing tone legato, slow mindful practicing, slow piano practicing, Steinway M grand, studying piano, supple wrist in piano playing, technique, the art of piano playing, The Russian singing tone school of piano teaching, video instruction, video supplementation of piano lessons, video uploading, virtual piano lessons, virtual piano teaching, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments