Category Archives: practicing difficult piano passages

Piano Practicing: Breathing into phrases and blocking out passages (Mozart Sonata, example)

I’ve picked the first two pages of Mozart’s Sonata in Bb Major, K. 281, last movement, Rondeau, Allegro to explore breathing and blocking techniques in the learning process. (These principles can be applied to practicing music from a variety of … Continue reading

Posted in breathing and piano lessons, classissima, Mozart, Mozart Sonata in Bb K. 281, Mozart Sonata in Bb K. 281 Rondeau, piano, piano addict, piano blog, piano blogs, piano instruction, piano lessons, piano lessons by Skype, piano lessons for adults, piano lessons in Berkeley California, piano lessons in El Cerrito California, piano practicing, piano student, piano technique, playing the piano, playing the piano with a singing tone, practicing difficult piano passages, practicing piano, practicing piano in slow tempo, practicing piano passages with rhythms, practicing piano with relaxation, Shirley Smith Kirsten, shirley smith kirsten blog, Shirley Smth Kirsten, Skype piano lessons, skyped piano lessons, Steinway piano, Steinway pianos, supple wrist in piano playing, teaching a piano student about melody, teaching an adult student, teaching piano, teaching piano to adult students, teaching piano to adults, the art of piano playing, whole body listening, whole body music listening, Wolfgang Amadeus Mozart, word press, word press.com, wordpress, wordpress.com, you tube video, you tube.com, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Part Six Piano Instruction, Beethoven’s “Tempest” Sonata No. 17, Op. 31 No. 2 and all FIVE teaching segments preceding

In order from Part One to Six: I. II. III. IV. V. VI. LINKS: Part ONE: Beethoven Tempest Sonata in D minor http://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/ Part TWO Instruction http://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/ Part THREE Instruction https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/ Part FOUR Instruction http://arioso7.wordpress.com/2012/04/04/piano-instruction-part-four-beethovens-tempest-sonata-in-d-minor-op-31-no-2-measures-55-93/ Part FIVE Instruction http://arioso7.wordpress.com/2012/04/05/piano-instruction-part-five-beethovens-tempest-sonata-op-31-no-2-measures-93-to-158-development-recitative-submerged-pedal/ PART … Continue reading

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Irina Morozova’s inspiring words flow through a lesson with an adult student (Beethoven’s Fur Elise-in-progress) Video

“From watching great pianists it is obvious that they incorporate quite different movements to achieve the same goals, because people do not play piano with fingers but rather with the mind and the ear. Again, it is the clear image … Continue reading

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Piano Technique: Burgmuller’s Tarentelle, Op. 100-Fueling and shaping fast passages with a dipping, supple wrist (Videos)

Most piano students will have been assigned a Burgmuller selection or two during their formative years of study. And most likely, these would have been snatched from the composer’s Twenty-Five Progressive Pieces, Op. 100 that advance by steps in difficulty, … Continue reading

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Burgmuller’s “The Return”–like a light opera, with interspersed drama (videos)

“The Return” from the composer’s Twenty-Five Progressive Pieces, Op. 100, is ear-catching. Like an Offenbach opera replete with an Overture, it delights in a set of lighthearted staccato chords that spill into a passionate MINOR sequenced interlude, setting the heart … Continue reading

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Piano Technique: More wrist-forward rolling motion in Sonatina by Clementi Op. 36 no. 1 Vivace (Videos)

In two videos, I flesh out the need for a rolling forward wrist motion in playing the last movement of Clementi’s well-known Sonatina in C, vivace. In addition, a 3/8 meter designation in rapid tempo requires the “feeling” of ONE … Continue reading

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Piano Lesson: An adult student continues her Beethoven “Fur Elise” learning process (Video)

These are excerpts from today’s lesson where we covered: 1. Broken chord blocking; refreshing inversions of the Tonic as applied to practicing Fur Elise. 2. Voice balancing: fleshing out the treble (soprano) melody, on page 2 (F Major section) Using … Continue reading

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Piano Technique: Practicing a difficult section in Beethoven’s Sonata Pathetique, Op. 13, movement 1 (Video)

Some piano teachers prefer to improve a student’s technique by selecting difficult passages from the mainstream piano literature rather than assign a load of scales, arpeggios and chords that journey around the Circle of Fifths. I still believe the best … Continue reading

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