Category Archives: swinging arms in playing piano

Piano Technique: Burgmuller’s Tarentelle, Op. 100-Fueling and shaping fast passages with a dipping, supple wrist (Videos)

Most piano students will have been assigned a Burgmuller selection or two during their formative years of study. And most likely, these would have been snatched from the composer’s Twenty-Five Progressive Pieces, Op. 100 that advance by steps in difficulty, … Continue reading

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Piano Technique: Two nifty warm-up routines, one loopy, the other for zig-zaggers

Claudia, 11, and I do a 20-minute warm-up before she tackles repertoire at her weekly lesson. Today I snatched two routines that might help others with the time-honored, upper arm roll, supple wrist, and elbow swing. Just my bias showing … Continue reading

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Piano Technique: More wrist-forward rolling motion in Sonatina by Clementi Op. 36 no. 1 Vivace (Videos)

In two videos, I flesh out the need for a rolling forward wrist motion in playing the last movement of Clementi’s well-known Sonatina in C, vivace. In addition, a 3/8 meter designation in rapid tempo requires the “feeling” of ONE … Continue reading

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The piano teacher as conductor–sometimes shaping gestures help a student phrase better (Video)

I couldn’t resist an opportunity to conduct my student playing the Bach Invention 13 in A minor today. She’s preparing two selections for a competitive Baroque event coming up in two weeks, and the second offering is the Prelude in … Continue reading

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Playing through Chopin’s B minor Waltz with its sighing motif (Video commentary)

Last night I sat myself down at my imperfectly regulated Steinway M grand and managed to sigh several times through torrents of phrases crafted by design and inspiration to tug at the heartstrings. And in the video below, I journeyed … Continue reading

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The Chopin Bb minor Nocturne, Op. 9, No. 1, and arm/hand rotation/phrasing (Video)

Chopin’s Bb minor Nocturne (Night Piece) requires a player to use a full arm rotation to fluidly play the arpeggios in the left hand that span over an octave. These broken chords which fill a large space by their expansion, … Continue reading

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