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Another musical treasure by Samuel Maykapar

(The above manuscript is sourced from Rada Bukhman’s Discovering Color Behind the Keys: The Essence of the Russian School of Piano Playing) “Waltz” is a charming composition worth every bit of baby-step practicing. While it looks easy on the surface, … Continue reading

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A Journey down memory lane

A timely posting in advance of my Big Apple touchdown Continue reading

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Capturing the first sunrise in our practicing and performing

I always ponder the process of learning a new piece and how I want to experience and re-experience a freshness that seems to come with my earliest exposure to the printed page. As I set out my fingering, isolate lines … Continue reading

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An interview with Rada Bukhman, pianist, teacher, author, about the “Russian School of Piano Playing”

Rada Bukhman, a Vancouver-based piano teacher with native Russian roots, has produced a 212-page soft cover volume that entices with its interspersed selections of compositions at various learning levels. The text offers a variety of fascinating topics, “Developing Initial Musical … Continue reading

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J.S. Bach and blurred tonality (learning the three-part Invention or Sinfonia in F minor, BWV 795)

The Sinfonia in F minor is a tour de force work of art, perhaps evocative of the composer’s Musical Offering in its strikingly atonal sections. Yet there are definitive cadences in Major and minor keys that occur at the terminus … Continue reading

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Artful piano playing: Rising above the notes by “feeling,” singing, and “shaping” phrases

Burmguller’s “Sincerity,” Op. 100 is the perfect vehicle for spinning limpidly beautiful phrases. But how does the pianist go beyond what appears to be strings of 8th notes that can easily sound typed out. To avoid the ponderous, vertical approach … Continue reading

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What pianists can learn from opera singers

As pianists, we’re allied to opera singers and their creative process in more ways than we think. Continue reading

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Interpreting piano music: Should we truly realize the composer’s intent?

Matters of interpretation came up at the “Y” Gym yesterday when I bumped into the pianist from a North Berkeley house of worship. Aline is a fine musician who intersperses the service with great masterworks. Recently she played Grieg’s “Wedding … Continue reading

Posted in Bela Bartok, Bela Bartok, bela bartok, Edvard Grieg, Edvard Grieg plays "Butterfly" from his Lyric Pieces, George Gershwin, Grieg Lyric Pieces, Irina Morozova pianist, Sviatoslav Richter, word press, word press.com, wordpress, wordpress.com, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Learning a J.S Bach Sinfonia from the ground up (F Major, BWV 794)

On to three voice counterpoint, following a two-dimensional Bach Invention journey in the company of several piano students. So why not open the door to my private practice room for a layered learning sample a trois. I’m no different than … Continue reading

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Romantic era piano repertoire: A murmuring stream and the supple wrist (Burgmuller creates beauty from simplicity)

“The Clear Stream” from Friedrich Burgmuller’s Twenty-Five Progressive Pieces offers a student an opportunity to create limpidly beautiful phrases from unraveled broken chords spun out in triplets. In order to create the “mormorando” (murmuring effect) in the treble, it’s best … Continue reading

Posted in Harmony of the Angels by Burgmuller, Journal of a Piano Teacher from New York to California, piano instruction, piano lessons, Shirley Kirsten, Shirley Smith Kirsten, word press, word press.com, wordpress, wordpress.com, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , | Leave a comment