Tag Archives: Beethoven

One of the most beautiful slow movements ever composed for piano? (and a journey down memory lane)

I’m going to vote for the Adagio Cantabile from Beethoven’s Sonata “Pathetique” in C minor, Op. 13. It’s grown on me ever since I was seduced by the opener to Karl Haas’s weekly broadcasts on F.M. radio. (“Adventures in Good … Continue reading

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Piano Lesson to Brazil: Trills and Spills (Beethoven Presto, “MOONLIGHT” Sonata)

This was a SKYPE Day to remember! Not a sinking ship, but a catastrophic event at a musical climax. The Brazilian student, in good form, however, was SAVED by the NEAPOLITAN! He rendered the UNEXPECTED with show-stopping emphasis! Bravo, cavalheiro! … Continue reading

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My childhood “Fur Elise,” past teachers, yearbook entries, and present mentoring (Video)

I named one of my daughters, “Elise,” in honor of Beethoven’s famous composition. That’s how much I adored the music. A companion piece since childhood, I managed to squeak through the notes at age 8 when enrolled at a quaint … Continue reading

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Virtuosity and Poetry in Motion hallmark Ena Bronstein’s musical return to Fresno

Mister Rogers would have welcomed Ena Bronstein back to the “neighborhood” that she left over 25 years ago. He’d say that she planned to honor her friends, former neighbors, and piano students by giving them a very special reunion concert … Continue reading

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Piano Instruction: Practicing the “windy” chromatic scale of Beethoven’s “Fur Elise”

After a stream of graceful arpeggiated triplets, a “windy” sounding, descending chromatic scale leads artfully back to the opening theme that concludes “Fur Elise.” The traditional chromatic fingering I’ve inserted in the score corresponds to the 1/2-step sequence beginning on … Continue reading

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Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

This is a hauntingly beautiful section of the first movement. After the composer has devoted so many preceding measures to the key of A minor, he decides to travel at quick intervals through a series of different keys. Such fast-paced … Continue reading

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Piano Instruction, Part THREE Beethoven “Tempest” Sonata in D minor, Op. 31, No. 2

This instruction continues from measure 41 through 57, where agitated pairs of 8th notes return, picking up the opening motif. As expected, I use blocking or clustering to keep the redundant figures resilient and bundled with energy. (a forward moving … Continue reading

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Piano Instruction: Part TWO, Beethoven’s “Tempest” Sonata, Op. 31, No. 2, Hand Cross-over, with tremolo in the middle voice

A tricky chromatic scale with a turn-around at its end ushers in a stormy, impassioned section with cross-over hands. Some players observe the notation to a tee, and avoid these hand-over-hand maneuvers, but I, like many other pianists do the … Continue reading

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Beethoven’s Fur Elise with orchestra? or without (Videos)

During the night, I stumbled upon a piano solo with orchestra arrangement of “Fur Elise” that included a set of nuanced special effects. First, the pianist, nonchalantly flowed into the first theme to a stream applause, reminding me of the … Continue reading

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The Art of Piano Pedaling: Filming Fur Elise down below (Videos)

I decided to take a nose dive with my iMac desk top and place it way down by my feet because today an adult student continued her IN DEPTH study of legato pedaling. She was specifically practicing the C section … Continue reading

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