Tag Archives: Chopin

Spot Practicing at the Piano: It’s Quality, not Quantity

Some call it “spot cleaning,” I prefer spot “refining” to describe THOUGHTFUL, isolated step-wise measure practicing. Needless to say, a troublesome measure is surrounded by others that lead in and exit out of the problematic center, so it’s not enough … Continue reading

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Teaching a Chopin Nocturne under the influence of Arthur Rubinstein

I must admit that one of my daily activities is sampling You Tube videos of celebrated pianists, and as I teach a new composition to a student, I draw an attentive ear to pre-recorded ornament executions, phrasing, and tempo. It’s … Continue reading

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Exploring a Chopin Nocturne with a theoretical awareness

This week I mass-emailed a note to my brood about the need to take a reputable theory course side-by-side with private piano lessons. Because the teaching hour is packed with technique, new repertoire, review, memorization, a need to deepen knowledge … Continue reading

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This Week’s Favorite You Tubes!

My first selection is a Juilliard graduation commencement address that’s both grounded and inspiring. Joyce Di Donato, mezzo soprano, having received her honorary Doctorate resonates at the podium with wisdom and a touch humor–definitely worth sharing with a universe of … Continue reading

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Chopin and his love of opera

Don’t be deceived by the title of a you tube produced documentary that was perhaps devised to draw a wider audience of viewers. Chopin and the Women Behind his Music explores in depth, the composer’s tie to the opera, and … Continue reading

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Piano Study: Tempo shifts from Childhood to Adulthood

Turning back the clock to my early years as a piano student, I regarded ANDANTE as the slowest tempo marking in the musical universe. So did all my friends who foot dragged their pedal and stumbled through the doldrums of … Continue reading

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Reviewing Chopin’s Nocturne in C# minor, Op. Posthumous (MOVIE THEME, THE PIANIST)

We have to give credit to movie-makers for putting this hauntingly beautiful composition on the popular marquee of Classical music favorites. It shares notoriety with Mozart’s middle movement theme of Concerto no. 21 in C, which recurred throughout the film, … Continue reading

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