Tag Archives: Domenico Scarlatti

Art, Photography, and Music in perfect harmony

Julie Orchard, an intensely dedicated piano student, presented a glass multimedia mosaic at the Subterranean Arthouse last night that blended well with Domenico Scarlatti’s music. In the same spirit, the composer’s Sonata in D minor complemented the splendor of Berkeley’s … Continue reading

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Pianists, back pain, and my personal rehab bundled into a BALL

Eight weeks ago, as I started my scale warm-up routine, I felt sudden, excruciating, spasmodic pain in my lower back, and I couldn’t move in any direction without feeling a knife deeply embedded in my spine. It was an “e-m-e-r-g-e-n-c-y!”that … Continue reading

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Scarlatti adorned

Solano’s Oriental Rug Gallery provided the backdrop for Domenico Scarlatti’s music Continue reading

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Piano Instruction: Pastorale in D Major, K. 415 by Domenico Scarlatti, a stepwise approach

The Pastorale in D, included in Margery Halford’s Scarlatti, An Introduction to his Keyboard Works, poses significant musical challenges. In the technical realm, the composer has a tricky landscape of two-note legato figures as offbeats in the treble, and these … Continue reading

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Learning a new piano piece quickly and thoroughly (Videos)

I challenged myself to quickly learn the shortest Scarlatti sonata on record (K. 431 in G) and share the principles of developing this piece to a level of fluidity with interested students. Perhaps it would help them navigate a new … Continue reading

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Piano Instruction: Domenico Scarlatti Minuetto in C, L. 217 (Videos)

Many of Scarlatti’s compositions are not within easy reach of most piano students, but Margery Halford, editor, has compiled an Introductory album published by Alfred, with technically and musically attainable works. And it’s a blessing that she’s eliminated ones with … Continue reading

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Piano Technique: Here come the crossed hands in Mozart Sonata in A Major, K. 331 (Variation 4) Videos

Breathe a sigh of relief if you’ve managed to brave the difficult parallel octaves in forte legato! (Variation 3) Mozart is not done. He challenges you in Variation 4 with left-hand-over-right maneuvers. So be ready to relax your wrists and … Continue reading

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What “authentic” edition should a piano student use when learning repertoire of the Masters?

I’m thinking back to my ancient days studying with Lillian Freundlich in New York City. During this period, like any fledgling I relied on my teacher as an “authority” figure to recommend what Mozart Sonata edition, for example, I should … Continue reading

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Yevgeny Sudbin, another Russian Pianist topples my day!

I had my heart set on working out at the gym before noon, but as fate had it, I was stopped in my tracks by the breathtaking artistry of Yevgeny Sudbin. (only 32 years old) And it was merely 24 … Continue reading

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The Piano Repertoire: Does making fingering/hand adjustments constitute a “swindle?”

Seymour Bernstein, author of With Your Own Two Hands, remarked that “Chopin wrote out an outline for an intended method of teaching piano. And when he died he left it to Charles Alkan who never finished it. Wouldn’t you think … Continue reading

Posted in Beethoven Sonata Appassionata, Charles Alkan, Chopin, Conversations with Arrau by Joseph Horowitz, Conversations with Arrau by Joseph Horwitz, Faschingsschwank aus Wien by Schumann, fingering and phrasing at the piano, fingering and piano technique, Frederic Chopin, Gershwin Prelude no. 2, Gershwin Prelude no. 2 and fingering changes, Intermezzo Faschingsschwank aus Wien by Schumann, Philip Lorenz, pianist, pianists, piano, piano technique, player piano, Seymour Bernstein, Seymour Bernstein author With Your Own Two Hands, Seymour Bernstein composer, Seymour Bernstein pianist, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, swindle, word press, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment