Tag Archives: Harpsichord.org

She plays “red-blooded” harpsichord!

It’s well-known to a wide audience of admirers that Elaine Comparone has a commanding presence at the harpsichord. And while she sits this one out in a bedazzling reading of Bach’s D minor concerto, she’s made headlines standing before her … Continue reading

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Comparone plays Bach on the harpsichord with a palette of emotions

I must admit that I usually experience the “minor” key with poignant intensity, but when I heard Elaine Comparone’s most recent performance of J.S.Bach’s celebrated D minor concerto, I felt her inner smile radiate through ripples and waves of luscious … Continue reading

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Bach with and without Pluck

Elaine Comparone and Dusan Bogdanovic produced a stunning CD, combining harpsichord and guitar in their J.S Bach Inventions and Sinfonias collaboration. Both musicians have firmly established reputations as fine performers and recording artists so their get-together has surely been a … Continue reading

Posted in Bach with Pluck played by Elaine Comparone and Dusan Bogdanovic, Dusan Bogdanovic guitarist, Elaine Comparone, harpsichord, Harpsichord.org, wordpress.com, you tube, you tube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Instruction: Can we over-analyze a Bach fugue?

Little Bach Fugue in C, BWV 952 required insights into its organized structure so I could better teach it. But how much analysis was required and could it be trusted? Continue reading

Posted in Bach, Bach Little Fugue in C major BWV 952, Baroque form fugue, classissima, classissima.com, Elaine Comparone, fugue form analysis, J.S. Bach BWV 952 in C Major, J.S. Bach Fugue form, Jan Karman, Lance Walton, piano instruction, piano lessons, Shirley Kirsten, Shirley Smith Kirsten, Theory, Theory and piano lessons, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

A pianist is a COLLABORATOR NOT an “accompanist”

The “A” word is officially banished from my vocabulary, even if its residual usage in books, newspapers, old reviews, can’t be controlled. To boot, anyone who’s been handed a stack of music by the High School vocal teacher to ready … Continue reading

Posted in chamber music, classissima, classissima.com, Dietrich Fischer-Diskau, Elaine Comparone, harpsichord, Irina Morozova, Irina Morozova pianist, Journal of a Piano Teacher from New York to California, Kremer violinist, pianists as collaborator, piano, salas violist, Shirley Kirsten, shirley kirsten pianist, Sviatoslav Richter, word press, wordpress.com, you tube video, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The Haydn Piano Sonata in C, UNPINNED, and matters of Memorization

Pianists are expected to perform on stage without music. It’s a controversial area worth probing. Continue reading

Posted in "Tales of a Musical Journey" by Irina Gorin, classissima, classissima.com, Elaine Comparone, Harpsichord.org, how to improve memorization at the piano, Irina Gorin, piano, piano addict.com, Seymour Bernstein, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

Vibrant music-making at rest or at play

Musical silences spring to life in a rare and beautiful performance of C.P.E Bach’s G Major Keyboard Sonata. Continue reading

Posted in C.P.E. Bach, C.P.E. Bach keyboard sonata in G Major, classissima.com, Elaine Comparone, Elaine Comparone Harpsichordist, empfindsamer stil, harpsichord, you tube | Tagged , , , , , , , , , , , , , , , , , , , | 1 Comment

Playing Bach on the piano: pedal or no pedal

Decisions, decisions about whether to pedal through Bach’s ethereal Prelude no. 1 in C Major,
BWV 846 (The Well-Tempered Clavier) Continue reading

Posted in Andras Schiff, Bach Prelude in C BWV 846, Elaine Comparone, Harpsichord Unlimited, Harpsichord.org, piano, playing Bach with pedal, playing Bach without pedal, playing the piano, The Well Tempered Clavier, word press, word press.com, wordpress, wordpress.com, you tube video, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , | 2 Comments

A Visit with Elaine Comparone at her Harpsichord Palace in New York City

The colors are splendid in a royal procession of well-maintained harpsichords. THREE reside in Elaine Comparone’s West Side musical sanctuary. They are at the service of her Majesty, the Queen. (She leads a chamber group known as The Queen’s Chamber … Continue reading

Posted in Bach counterpoint, Bach Prelude in C BWV 846, Carey Beebe, Elaine Comparone, Harpsichord Unlimited, Harpsichord.org, Hubbard Harpsichords, J.S. Bach, Johann Sebastian Bach, The Queen's Chamber Band | Tagged , , , , , , , , , , | Leave a comment

J.S. Bach and tempo in his Little Preludes

How do we make decisions about the time frame reference of Bach’s music? Continue reading

Posted in Angela Hewitt, Bach's tempos in clavier music, Baroque music tempo, classissima, classissima.com, dance-like tempo in Baroque keyboard music, Elaine Comparone, Glenn Gould, Halida Dinova, Harpsichord Unlimited, Harpsichord.org, J.S. Bach's tempos, Johann Sebastian Bach, piano, Quantz, Shirley Kirsten, Shirley Smith Kirsten, word press, word press.com, wordpress, wordpress.com, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , | 5 Comments