Tag Archives: J.S. Bach

Shaping a J.S. Bach Two-Part Invention

Many students play J.S. Bach’s music with a typed out, articulated approach, forgetting to shape and contour phrases. In Bach’s F Major Invention, BWV 779, the tendency is to overemphasize every element of broken chord F, A, C, F, in … Continue reading

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Piano Instruction: Allemande from J.S. Bach French Suite no. 5 in G Major

Andras Schiff, known for playing Bach “purely” without pedal, encourages piano students to indulge J.S. as actors cultivate Shakespeare. It’s our daily “bread,” he insists. Regardless of his mixed metaphor, I concur that studying the works of Johann Sebastian Bach … Continue reading

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Piano Instruction: Piecing out and Practicing J.S. Bach Little Prelude in F, BWV 927

One of my colleagues who filmed a tutorial on this gem, called it a “BEGINNER” composition, yet, in truth, it’s not in the easy column. It demands a fluent technique and a thoughtful approach to learning that includes harmonic analysis, … Continue reading

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Celebrating my 1000th Blog with BACH!

Enough blabber, Bach says it best. What a wondrous ongoing musical journey with so many kind and attentive readers. Thanks for all your support, comments and feedback. Onward! SK (Arioso7)

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She plays “red-blooded” harpsichord!

It’s well-known to a wide audience of admirers that Elaine Comparone has a commanding presence at the harpsichord. And while she sits this one out in a bedazzling reading of Bach’s D minor concerto, she’s made headlines standing before her … Continue reading

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Building a piano lesson around J.S. Bach Invention 4 (d minor)

The scale of D minor (Harmonic form) feeds nicely into the study of Bach’s Invention 4, BWV 775, and within this Baroque inspired universe, Alton, (Life Begins at 77) continued his musical journey. First my play through of the Two-Part … Continue reading

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Simone Dinnerstein at Dewing Recital Hall: A Crusade for a better piano

Simone Dinnerstein, Pianist Friday, Jan.31, 2014 DEWING RECITAL HALL Mills College Oakland, California *** It’s sad that what’s most memorable about a concert is a piano not performing satisfactorily for a gifted, invited performer. Simone Dinnerstein, known for her self-funded … Continue reading

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