Tag Archives: Journal of a Piano Teacher from New York to Calfornia

The Chopin Waltz No. 19 in A minor is Poetry in Motion

Adult piano students who aspire to play the Op. Posthumous A minor Waltz must immerse themselves in a poetic musical framing, floating notes with supple wrists and relaxed arms. In the bass, support for a horizontally spun melody should prevail, … Continue reading

Posted in adult piano instruction, Chopin Waltz in A minor Op. Posthumous, Classical music blog, classissima.com, Journal of a Piano Teacher from New York to California, piano blog, piano instruction, piano lesson, piano teaching, Shirley Kirsten | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

A six-year old child is awakened to the singing tone and how to produce it

The earliest exposure to the piano in the primary lesson learning environment comes with an opportunity to teach the singing tone– to sensitize young ears to the instrument’s capacity to resonate with beauty. It’s not just an ear-training experience. The … Continue reading

Posted in classissima.com, early music education, Irina Morozova, music education, piano blog, piano instruction, piano lessons, piano pedagogy, Shirley Kirsten, Shirley Smith Kirsten, teaching piano to young children, The Special Music School/Kaufman Center | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Sight-reading, Transposition, and Ear-Training for the Adult Piano Student

Setting aside a segment of lesson time to work on sight-reading and transposition is an essential ingredient of piano learning. It sensitizes a student to interval relationships while inviting an analysis of notes within a tonal, harmonic, and rhythmic frame. … Continue reading

Posted in piano lesson | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

An adult piano student explores phrase shaping in Chopin’s A minor Waltz, Op. Posth.

I’m always warmed by lovely, contoured phrasing, especially when it’s produced by an adult student who’s reached a new level of aesthetic consciousness through especially attentive and consistent practicing. This particular player has increased her sensitivity in shaping the Chopin … Continue reading

Posted in arioso7 | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Ornaments, Romantic Style: Don’t be enslaved, but master them

There’s nothing more inhibiting to piano playing than being boxed in by ornaments–tied down by their inertia and lack of smooth resolution. For certain, if you’re threatened by them, or anticipate the worst possible outcome, ENTRAPMENT, then it guarantees a … Continue reading

Posted in adult piano instruction, classissima.com, piano blogging, Romantic era music | Tagged , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

What happened during the Earthquake!

From Berkeley, California At 3:19 a.m. I had just revisited my recently posted video of Bach’s Sarabande (French Suite in G)–a foreboding? … when suddenly the wall I was leaning against, ( while seated at the piano), started swaying from … Continue reading

Posted in Bach French Suite in G, Leon Fleisher, piano addict | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Technique: Applying Various strategies to unravel a scale in 10ths (VIDEO)

Most of my adult students get unnerved when starting a scale three notes into it. And to make matters worse, they become panic-stricken when one hand is not a carbon copy of the other. (i.e. both hands are not playing … Continue reading

Posted in practicing scales, strategies for practicing scales | Tagged , , , , , , , , , , , , , , , , , , , , , , | Leave a comment