Tag Archives: Mildred Portney Chase

Capturing the first sunrise in our practicing and performing

I always ponder the process of learning a new piece and how I want to experience and re-experience a freshness that seems to come with my earliest exposure to the printed page. As I set out my fingering, isolate lines … Continue reading

Posted in classissima, Jeremy Denk, Mildred Portney Chase, piano, word press, word press.com, wordpress, wordpress.com, you tube.com, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Technique: Playing beyond the fingers to sculpt beautiful phrases (Debussy Arabesque no. 1)

Many piano students who practice Debussy’s Arabesque no. 1 tend to grab and articulate notes, rather than let them flow from energy streaming down relaxed arms into supple wrists. Reliance on fingers-down playing becomes the panacea for accuracy, while it … Continue reading

Posted in "Just Being At the Piano", 19th Century music, 20th Century music, arioso 7, arpeggios, arpeggios for the piano, Claude Debussy, Debussy, Debussy Arabesque no. 1, Impressionistic music, Journal of a Piano Teacher from New York to California, Just Being at the Piano by Mildred Portney Chase, Mildred Portney Chase, pianist, piano, piano lessons, piano teaching, piano world-wide, playing piano, Shirley Kirsten, Shirley Smith Kirsten, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, yout tube | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

The Chopin Bb minor Nocturne, Op. 9, No. 1, and arm/hand rotation/phrasing (Video)

Chopin’s Bb minor Nocturne (Night Piece) requires a player to use a full arm rotation to fluidly play the arpeggios in the left hand that span over an octave. These broken chords which fill a large space by their expansion, … Continue reading

Posted in arm and hand rotation in playing piano, classissima, classissima.com, Just Being at the Piano by Mildred Portney Chase, Mildred Portney Chase, phrasing at the piano, pianist, piano, piano instruction, piano lessons, piano technique and the singing tone, playing piano, Seymour Bernstein, swinging arms in playing piano, teaching piano, With your own Two Hands by Seymour Bernstein | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Instruction: The Virtues of Slow Motion Practicing and Attentive Listening

It takes patience to approach a piece well behind tempo, tuning in to every nuance and turn of phrase. With ears alert and sensitive, the player tries to create a feeling state where he’s submerged in sound to the exclusion … Continue reading

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Performance Anxiety and the Pianist

For too long performance anxiety was a taboo subject, always swept under the rug. I remember grappling with paralyzing jitters during my years at the New York City High School of Performing Arts. My piano teacher at the time, a … Continue reading

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Music Comes from the Heart

Musical expression arises from the deepest part of ourselves so as we relax into the here and now, focused on the flow and shape of phrases, our arms, wrists and fingers work together as an ensemble to produce an artful … Continue reading

Posted in "Just Being At the Piano", 20th Century music, Amazon, arpeggios, athletic coaching, athletic training, California, cd baby, cdbaby, classical music, counterpoint, Creative Fresno, dream piano, El Cerrito, El Cerrito California, El Cerrito piano studio, Evelyn Glennie, Facebook, Fresno, Fresno California, gymnastics, humor, keyboard technique, Major and minor scales, memoir, Mildred Portney Chase, MTAC, music, music appreciation classes, music history, music teachers association of california, musicology, Musictogether.com, New York, New York City High School of Performing Arts, Northwest Bronx, Northwest Fresno, Oberlin Conservatory, New York City High School of Performing Arts, percussionist, pianist, piano, piano addict, piano lesson, piano maintenance, piano pedagogy, piano room, piano society, Piano Street, piano student, piano teacher, piano teaching repertoire, piano technique, piano warm-ups, pianoaddict.com, Pianostreet.com, pianoworld.com, popular music, Romantic era music, Romantic music, scales, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, sports, Steinway M grand piano, Steinway piano, talkclassical.com, Teach Street, technique, trills, Twenty five Progressive pieces by Burgmuller, uk-piano-forums, video performances, whole body music listening, word press, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment