Tag Archives: piano blogging

You Tube and rekindled memories

You tube never fails to deliver when precious memories seem to fade with time. Today as I was checking Facebook notifications, I noticed a you tube link to a Bach Cantata directed by Josh Rifkin. His face had been buried … Continue reading

Posted in classisssima.com, Isaac Raboy shule, Josh Rifkin, word press, you tube | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Sequences and Phrase contouring in J. S. Bach’s French Suite No. 5, BWV 816

An adult student and I explored sequences in the Allemande opener of Bach’s French Suite in G as we parceled out the treble and bass lines. (Still another voice that danced from the alto to tenor range, was separately identified … Continue reading

Posted in J.S. Bach French Suite No. 5 in G, J.S. Bach French Suite no. 5 in G Major BWV 816, Jourhal of a Piano Teacher from New York to California, pianist, piano, piano addict, piano instruction, piano instructor, piano instuction, piano learning, piano lesson, piano lessons, piano technique, Shirley Kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, Shirley Smth Kirsten, teaching piano to adult students, word press, wordpress.com, you tube, you tube video, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The latest about Seymour Bernstein, the Hawk(e), and two colorful Birds

Today began on a high note. Ethan Hawke’s documentary about Seymour received a rave review in the New York Times. It was the latest in a series superlatives that synchronized perfectly with the film’s debut in New York City at … Continue reading

Posted in Journal of a Piano Teacher from New York to California, piano addict | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

When big hands and fingers play unwanted notes

After 6’4″ Big Mike sits snugly in front of my Baldwin grand–his knees crushing in on him, he’s thoroughly prepared to avoid a set of land mines that trigger a wrong note implosion. Normally when his mega-sized third finger depresses … Continue reading

Posted in big hands playing unwanted notes, classissima.com, Journal of a Piano Teacher from New York to California | Tagged , , , , , , , , , , , , , , , , , , , | 3 Comments

Learning Two Chopin Nocturnes (Eb and F minor) with a framing bass line/treble perspective

One of the biggest challenges in playing the Eb Major (Op. 9) and F minor (Op. 55) Nocturnes is preserving awareness of the fundamental bass note movement against the melody while after beat chords provide a harmonic enrichment in the … Continue reading

Posted in arioso 7 | Tagged , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Sight-reading, Transposition, and Ear-Training for the Adult Piano Student

Setting aside a segment of lesson time to work on sight-reading and transposition is an essential ingredient of piano learning. It sensitizes a student to interval relationships while inviting an analysis of notes within a tonal, harmonic, and rhythmic frame. … Continue reading

Posted in piano lesson | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

An adult piano student explores phrase shaping in Chopin’s A minor Waltz, Op. Posth.

I’m always warmed by lovely, contoured phrasing, especially when it’s produced by an adult student who’s reached a new level of aesthetic consciousness through especially attentive and consistent practicing. This particular player has increased her sensitivity in shaping the Chopin … Continue reading

Posted in arioso7 | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments