Tag Archives: piano teaching

Capturing the first sunrise in our practicing and performing

I always ponder the process of learning a new piece and how I want to experience and re-experience a freshness that seems to come with my earliest exposure to the printed page. As I set out my fingering, isolate lines … Continue reading

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An interview with Rada Bukhman, pianist, teacher, author, about the “Russian School of Piano Playing”

Rada Bukhman, a Vancouver-based piano teacher with native Russian roots, has produced a 212-page soft cover volume that entices with its interspersed selections of compositions at various learning levels. The text offers a variety of fascinating topics, “Developing Initial Musical … Continue reading

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A Tribute to traveling piano teachers

I’m lucky that for decades I’ve been a stationary piano teacher, home-based for Skype, but having two youngsters whom I teach at their house up in the El Cerrito Hills. Fortunately, I get chauffeured to and from the location so … Continue reading

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Learning J.S. Bach’s B minor Invention No. 15 (BWV 786) in baby steps

Both embedded videos track my step-by-step approach to learning this beautiful composition. In the part one Instruction, I play slowly through the right hand to explore the subject, its articulation, fingering, execution of ornaments, and follow-up strand of 16th notes. … Continue reading

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Piano Technique: Playing with bigger energies beyond the fingers

Practicing a programmatic miniature from Kabalevsy’s Op. 39 Children’s Pieces can draw on energies well beyond the fingers. “Funny Event” is a good example with its series of sound bursts on the first beat of each measure. If a student … Continue reading

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Attentive listening, singing, and awareness of harmonic rhythm improve phrasing at the piano

I notice a common thread among many piano students, young and old. They tend to play measure to measure, doting heavily on downbeats as if the first beat of each bar begs for reinforcement. Perhaps a Marching Band might fall … Continue reading

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Should a piano student be a carbon copy of the teacher?

The whole universe of music teaching and learning became crystallized when I found myself bouncing ideas back and forth with two parents of Suzuki-trained children on a blog COMMENTS forum. First, I questioned the purist form of the Japanese imported … Continue reading

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My Life Away from the Piano–and what the world is like in the East Bay

The spirit of Christine Bronstein’s web driven organization is undermined by inconsistent, self-defeating policies. Continue reading

Posted in A Band of Wives, Christine Bronstein, Journal of a Piano Teacher from New York to California, Phil Bronstein, Shirley Kirsten, Shirley Smith Kirsten, word press, word press.com | Tagged , , , , , , , , , , | 2 Comments

Bringing the Keyboard closer to the long distance piano student

Yesterday, my Logitech cam was un-clipped from the Big Mac during a lesson to Greece. The pupil, hanging out on the island of Kos, needed a graphic representation of my hands braving a few difficult measures in Bach’s Little Fugue … Continue reading

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Piano Instruction: Can we over-analyze a Bach fugue?

Little Bach Fugue in C, BWV 952 required insights into its organized structure so I could better teach it. But how much analysis was required and could it be trusted? Continue reading

Posted in Bach, Bach Little Fugue in C major BWV 952, Baroque form fugue, classissima, classissima.com, Elaine Comparone, fugue form analysis, J.S. Bach BWV 952 in C Major, J.S. Bach Fugue form, Jan Karman, Lance Walton, piano instruction, piano lessons, Shirley Kirsten, Shirley Smith Kirsten, Theory, Theory and piano lessons, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment