Tag Archives: piano teaching

The Chopin Waltz No. 19 in A minor is Poetry in Motion

Adult piano students who aspire to play the Op. Posthumous A minor Waltz must immerse themselves in a poetic musical framing, floating notes with supple wrists and relaxed arms. In the bass, support for a horizontally spun melody should prevail, … Continue reading

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Teaching piano technique with artistry at the Special Music School/Kaufman Center

Master teacher, Irina Morozova infuses her piano lessons with an expressive music-making approach that applies to technique and repertoire. Scales, arpeggios, chords, Czerny etudes, etc. are not compartmentalized as pedantic exercises bundled in torturous repetitions. To the contrary, they’re the … Continue reading

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A six-year old child is awakened to the singing tone and how to produce it

The earliest exposure to the piano in the primary lesson learning environment comes with an opportunity to teach the singing tone– to sensitize young ears to the instrument’s capacity to resonate with beauty. It’s not just an ear-training experience. The … Continue reading

Posted in classissima.com, early music education, Irina Morozova, music education, piano blog, piano instruction, piano lessons, piano pedagogy, Shirley Kirsten, Shirley Smith Kirsten, teaching piano to young children, The Special Music School/Kaufman Center | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Piano Technique: Studying/Mapping out the F# minor scale and arpeggio (Video)

Exploring the two octave model is a good start with a separate hand approach to clarify fingering. I prefer making an adjustment for the opening F#, G#, A in the Right Hand (2, 3, 1) instead of 3, 4, 1 … Continue reading

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Sequences and Phrase contouring in J. S. Bach’s French Suite No. 5, BWV 816

An adult student and I explored sequences in the Allemande opener of Bach’s French Suite in G as we parceled out the treble and bass lines. (Still another voice that danced from the alto to tenor range, was separately identified … Continue reading

Posted in J.S. Bach French Suite No. 5 in G, J.S. Bach French Suite no. 5 in G Major BWV 816, Jourhal of a Piano Teacher from New York to California, pianist, piano, piano addict, piano instruction, piano instructor, piano instuction, piano learning, piano lesson, piano lessons, piano technique, Shirley Kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, Shirley Smth Kirsten, teaching piano to adult students, word press, wordpress.com, you tube, you tube video, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Learning Two Chopin Nocturnes (Eb and F minor) with a framing bass line/treble perspective

One of the biggest challenges in playing the Eb Major (Op. 9) and F minor (Op. 55) Nocturnes is preserving awareness of the fundamental bass note movement against the melody while after beat chords provide a harmonic enrichment in the … Continue reading

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Sight-reading, Transposition, and Ear-Training for the Adult Piano Student

Setting aside a segment of lesson time to work on sight-reading and transposition is an essential ingredient of piano learning. It sensitizes a student to interval relationships while inviting an analysis of notes within a tonal, harmonic, and rhythmic frame. … Continue reading

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