Tag Archives: Romantic era music

Experimentation and refinement are the ingredients of music teaching and learning

One of the joys of teaching piano is to experience awakenings with our students as we experiment with phrasing, and refine original perceptions. And while a piano teacher is considered a mentor to a student, he/she clearly realizes that roles … Continue reading

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Ornaments, Romantic Style: Don’t be enslaved, but master them

There’s nothing more inhibiting to piano playing than being boxed in by ornaments–tied down by their inertia and lack of smooth resolution. For certain, if you’re threatened by them, or anticipate the worst possible outcome, ENTRAPMENT, then it guarantees a … Continue reading

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Exploring a Chopin Nocturne with a theoretical awareness

This week I mass-emailed a note to my brood about the need to take a reputable theory course side-by-side with private piano lessons. Because the teaching hour is packed with technique, new repertoire, review, memorization, a need to deepen knowledge … Continue reading

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Piano Study: Tempo shifts from Childhood to Adulthood

Turning back the clock to my early years as a piano student, I regarded ANDANTE as the slowest tempo marking in the musical universe. So did all my friends who foot dragged their pedal and stumbled through the doldrums of … Continue reading

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Reviewing Chopin’s Nocturne in C# minor, Op. Posthumous (MOVIE THEME, THE PIANIST)

We have to give credit to movie-makers for putting this hauntingly beautiful composition on the popular marquee of Classical music favorites. It shares notoriety with Mozart’s middle movement theme of Concerto no. 21 in C, which recurred throughout the film, … Continue reading

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Parceling out voices in Chopin’s Nocturne in F Major, Op. 15

Soprano, Alto, Tenor, Bass scoring in Chopin’s hauntingly beautiful F Major Nocturne (opening section) begs for an artistic examination through voice parceling. One cannot just paste the left hand onto the right, deferring entirely to the soprano. (soloist) Meandering chromatics … Continue reading

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If it sounds like a lark, it must be one (Tchaikovsky’s “Song of the Lark”)

After I recorded Tchaikovsky’s precious tableau from his Op. 39 Children’s Album, I discovered a true-to-life rendering by Russian pianist, Igor Galenkov, who delicately imported a bird to embellish his performance. *** Instruction: The rolling forward wrist motion in Lark … Continue reading

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