As I revisited J.S. Bach's memorable Sarabande movement from his French Suite No. 5, BWV 816, I stared at an Urtext score laden with ornaments of infinite variety --trills, mordents, parentheses showing upper and lower accents, loops on trills in opposite directions, etc. and to complicate matters, I was expected, by tradition, to improvise each… Continue reading Practicing J.S. Bach Sarabande, BWV 816: In a Sea of Ornaments, first explore an unadorned melody
The value of sending supplementary videos to Online students between piano lessons
Since I began teaching piano Online in 2011, well before it gained pandemic driven popularity, I'd always felt the need to fill in what seemed to be distance related gaps in the Internet teaching environment. Compensating for my guilt-ridden, tradition-breaking, cyber teaching excursions on Face Time, I'd made sure to give my students an extra… Continue reading The value of sending supplementary videos to Online students between piano lessons
Technology enhancements for Online Piano Lessons
Back in 2011, when music lessons by webcam were viewed as out of the mainstream, bucking the traditional face-to-face, in-person learning environment, I was nevertheless, lulled into cyberspace by an Australian subscriber to my You Tube channel. One day, he messaged me with a promise to send a Logitech webcam that would widen my teaching… Continue reading Technology enhancements for Online Piano Lessons
Music and Community Activism
During my many years of teaching piano, nurturing students along of diverse backgrounds and levels, I never imagined that I would find myself channeling music into a form of local activism. But it's happened here in Berkeley, California on Hopkins Street, with its lovely stretch of trees and quaint shops owned my merchants of many… Continue reading Music and Community Activism
Arm Weight and Piano Playing
My personal arm weight journey began at age 13, when I enrolled at the NYC High School of Performing Arts. The preceding summer, I'd been a music camper at Merrywood in Lenox, Massachusetts where I'd met student cellist, Douglas Freundlich who regaled his aunt Lillian as an exceptional, Manhattan-based piano teacher. Such a name drop,… Continue reading Arm Weight and Piano Playing
Fostering a Healthy Interaction between piano student and teacher
With time-honored articles proliferated about emotionally abusive piano teachers and their negative impact on students, it's time to explore the ingredients of a positive, growth-affirming relationship between two parties striving toward the same goal of creative musical expression. Such a discussion that embodies week to week lessons, addresses an environment of nonjudgmental self-acceptance, patience, and… Continue reading Fostering a Healthy Interaction between piano student and teacher
Jeremy Denk, pianist, embraces a humanistic approach to music
A friend residing in California's Central Valley, e-mailed a link to a consciousness-raising interview with Jeremy Denk that aired on the City Arts and Lecture Series. (Location: Linda Ronstadt's home in San Francisco) It was a joyful, music-loving celebration, exploring so many dimensions of creativity at the piano that are rarely shared in the Classical… Continue reading Jeremy Denk, pianist, embraces a humanistic approach to music
Pianists can learn from Joyce DiDonato and the vocal model
The renowned mezzo soprano, Joyce DiDonato hosted three inspiring Masterclasses at Carnegie Hall's intimate recital venue this holiday season, and made "process" her resonating theme of creative musical growth. While a select group of young opera singers were by application, brought into a spotlight of "playing" with DiDonato, as she termed the mutual give and… Continue reading Pianists can learn from Joyce DiDonato and the vocal model
The value of revisiting past repertoire, while learning new pieces
For many piano teachers as well as their students, keeping repertoire (old and new) in balance supports musical growth. Yet with time constraints for students influenced by in-school academic demands and after school activities, preserving the growth of one piece, partnered with a technique regimen, is a mountain to climb. Teachers who learn side by… Continue reading The value of revisiting past repertoire, while learning new pieces
Working with One Hand when a piano student has an injury to the other
I recall my piano teaching years in California's Central Valley where I easily counted 10 or more students (usually boys) who had sports injuries. Most often a mom would call about her son's fractured arm or wrist that was incurred on the playing field--soccer, baseball, or during any number of childhood activities. As a consequence,… Continue reading Working with One Hand when a piano student has an injury to the other