The key to achieving fluidity in playing these arpeggios, is having a relaxed arm and supple, “spongy” wrist. The wrist, I would add is a SPRING, or shock absorber. If you freeze your wrist, you might as well play the piano with a pencil.
I dip my wrist with each inversion, and I roll into the next. The motion is uninterrupted.
A few mental images to help smooth out the arpeggios from octave to octave: ROLLING, CURVING, BREATHING, RELAXED, FOLLOW THROUGH MOTION, CURVY TURNAROUND
About the thumb: It should be relaxed, and played lighter than the other fingers, or else it will intrude, and interrupt the smooth flow throughout the inversions.
The video shows what’s happening in progress, as the arpeggios play out.
International Online Piano Teacher, blogger, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC H.S. of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning by Skype and Face Time with supplementary videos: SKYPE ID: shirley kirsten
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Private fundraising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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