This is the special month of Irina, Irena, and still another Irina. The latest messenger of beauty via You Tube is Irina Morozova. And as fate would have it, one of my readers, owner of a Knight piano treasure, e-mailed me a sample of her Bach-Siloti, which sent me feverishly finger-tapping the search window for more.
Out popped the Chopin Barcarolle performed with gorgeously spun out lines, to die for singing tone and phrasing. Not to be territorial about playing, but the Russian School of teaching piano is glaring for its focus on producing a molto cantabile.
The wrists are not flat. The hand position is not rigid. There’s a flow from the heart into the fingers via relaxed arms and supple wrists. The motions are curvaceous as one note breathes into another at the right moment. Morozova renders a warm, Romantic era interpretation that has a relaxed roundness.
We learn from artists like her who make piano playing so fluid, that the mystery of how it’s done can be unraveled by listening attentively and carefully observing.
Chopin Mazurka in G minor, Op. 63, no.3
I love this interpretation.
And on to a divinely played Chopin Barcarolle:
Irina Morozova, Bio:
Piano; B.M. with Honors, Rimsky-Korsakov College of Music; M.M., Manhattan School of Music; piano studies with Vladimir Shakin, Galina Orlovskaya, Arkady Aronov; performances include Berlin Radio Symphony Orchestra, New American Chamber orchestra; participated in Film America’s “Music in the 20th Century” series; awards include Frinna Awerbuch, San Antonio International Piano Competitions; teaches, performs at International Keyboard Institute and Festival in NY; faculty, Mannes College of Music, Manhattan school of Music, Special Music School.
“If music be the food of love, play on….”