Nikolai Lugansky, pianist, plays chess and loves poetry

The nearly 7-minute You Tube interview was telling. Luganksy waxed poetic about poetry, and recited one of his favorites by Boris Pasternak. It was in Russian, but it’s lyrical lines stole the show. No translation needed.

He was seated beside a conductor named Petrenko, and both were being queried by the first bassist of the Israeli Philharmonic.

Lugansky: “In poetry and music there is no win, no loss, it’s like life….chess, it’s a game.”

Location: Israel, where a good percentage of the population speaks Russian.

I must admit that I was led to the You Tube interview after sampling Lugansky’s artistry on Facebook. (I can hardly summon the right words in English to describe the listening experience)

Perhaps an ever flowing reservoir of emotion and nuance: когда-либо проточном водоеме нюансов и эмоций

If pressed to further enunciate what I loved about the playing, I would say the pianist’s phrasing is liquid, and overall his approach is magical. It’s one of those rare encounters with the soul of a pianist and composer meet.

Debussy’s Arabesque no. 1

And as icing on the cake, Seymour Bernstein forwarded me this link to the Brahms Intermezzo, Op. 118 no. 2:

If this isn’t heaven on earth, then what is:

***

Nikolai Lugansky
From Wikipedia, the free encyclopedia
Nikolai Lugansky

“Nikolai Lugansky (Николай Львович Луганский; born 26 April 1972) is a Russian pianist from Moscow. At the age of five, before he had even started to learn the piano, he astonished his parents when he sat down at the piano and played a Beethoven sonata by ear, which he had just heard a relative play. He studied piano at the Moscow Central Music School and the Moscow Conservatory. His teachers included Tatiana Kestner, Tatiana Nikolayeva and Sergei Dorensky.

“During the ’80s and early ’90s, Lugansky won prizes at numerous piano competitions. At the same time he began to make recordings on the Melodiya (USSR) and Vanguard Classics (Netherlands) labels. His performance at the Winners’ Gala Concert of the 10th International Tchaikovsky Competition was recorded and released on the Pioneer Classics label, on both CD and video laser disc formats. This was followed by more recordings for Japanese labels. He went on to make recordings for Warner Classics (UK), Pentatone Classics (Netherlands), Onyx Classics and Deutsche Grammophon.

“Lugansky has performed together with Vadim Repin, Alexander Kniazev, Anna Netrebko, Joshua Bell, Yuri Bashmet, Vadim Rudenko and Mischa Maisky, among others.

“In addition, Lugansky has collaborated with conductors such as Riccardo Chailly, Christoph Eschenbach, Vladimir Fedoseyev, Valery Gergiev, Neeme Järvi, Kurt Masur, Mikhail Pletnev, Gennady Rozhdestvensky, Yuri Simonov, Leonard Slatkin, Vladimir Spivakov, Evgeny Svetlanov, Yuri Temirkanov and Edo de Waart.

“As well as performing and recording, Lugansky teaches at the Moscow Conservatory.”

Links:
http://lugansky.homestead.com/

About Lugansky’s teacher:

https://arioso7.wordpress.com/2012/01/09/luganskys-piano-teacher-tatiana-nikolayeva-displayed-greatness-in-her-own-right/

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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2 Responses to Nikolai Lugansky, pianist, plays chess and loves poetry

  1. Jared Hoke says:

    A choral conductor I once knew, confronting some Bach, observed that “we should ALWAYS know which is the picture, and which is the frame”. He was referring to the contrapuntal elements, of course, but I think it is true of all music. Principally for that reason, I find Mr. Lugansky’s reading of the Brahms unpersuasive. He plays “molto espressivo”, to be sure, but the espressivo seems more about him than the music he is playing. Brahms is all about the inner voices; one must be always sure which is dominant at each moment. Agree?

    Like

    • Thanks for sharing. I will revisit the pianist’s Brahms rendering. In the meantime, I am most impressed by his late teacher, Nikolayeva. Comparing her Schumann Intermezzo aus. F to his. And I will vote for the teacher. https://youtu.be/2WnOvLmx8Xs
      Her student is far too literal.. and does not have the passion, and rubato that Madame N. had.. I prefer the artistry of Trifonov to that of Luganksy.

      Like

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