I thought this writing might be helpful. It also ties in with sight-reading skill development.
Memorization should be a natural outflow of consistent, thoughtful practicing. Thoughtful is underscored because it’s the most important ingredient in the process of playing a studied piece without music. It means having mental assists that relate to mapping out a particular composition without chance reliance on intuition or instinct. So if you suddenly find yourself lost in a piece without having your music propped up on the rack, your mapped sense of it, should re-orient you.
What do you map during practice sessions?
1) Start by knowing what key the piece is in. (this presupposes an understanding of how scales move on the Circle of Fifths, acquiring Sharps in Clock-wise motion, and Flats in Counter-clockwise motion)
But even if your knowledge of the Circle is scant, you can still “know” that your Sonatina, Prelude, or popular music are in individual keys with so many sharps or flats. (You would have…
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