Each of Burgmuller’s Op. 100, 25 Progressive Pieces is more enchanting then the next, and bundled into every charmer is a technical goal to be met.
In “Harmony of the Angels” it’s abundantly clear that the supple wrist must roll forward, and the continuum of triplets from left hand to right must be in an uninterrupted flow.
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Published by arioso7: Shirley Kirsten
International Online Piano Teacher, blogger, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC H.S. of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning by Skype and Face Time with supplementary videos: SKYPE ID: shirley kirsten
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1 thought on “The rolling wrist in Burgmuller’s “Harmony of the Angels””
1 thought on “The rolling wrist in Burgmuller’s “Harmony of the Angels””