Piano Technique: Burgmuller’s Tarentelle, Op. 100-Fueling and shaping fast passages with a dipping, supple wrist (Videos)

Most piano students will have been assigned a Burgmuller selection or two during their formative years of study. And most likely, these would have been snatched from the composer’s Twenty-Five Progressive Pieces, Op. 100 that advance by steps in difficulty, though it can be argued that all contain unique technical challenges.

Composed in the Romantic style, this music is strikingly beautiful while it advances specific technique-related goals.

One of my favorites, “La Tarentelle” in a fast and furious tempo, has its origins steeped in fear.

From Wikipedia

“In the region of Taranto in Italy, the bite of a locally common type of wolf spider, named “tarantula” after the region[3], was popularly believed to be highly poisonous and to lead to a hysterical condition known as tarantism. The stated belief in the 16th and 17th centuries was that victims needed to engage in frenzied dancing to prevent death from tarantism using a very rhythmic and fast music. The particular type of dance and the music played became known as Tarantella.”

It’s no surprise that over time, many composers tried their hand at writing their own Tarantellas. (Italian form)

Rapid, frenzied passage work characterizes Burgmuller’s “Tarantelle,” which requires whole arm activity and supple wrists.

And while it may seem that the fingers are propelling the composer’s music along, they can easily tire if not fueled by a bigger physical energy.

Breathing long, relaxed breaths, being in the moment and thinking slowly through fast stretches of notes, keep the music flowing.

Rolling through three note group figures that are characteristic of 6/8 time, also helps to style and phrase streams of eighth notes. This is where a supple wrist allows an infusion of energy when most needed. For shaping lines, it’s indispensable.

(Notice a SLOW MOTION video-only replay that’s sandwiched into the Lesson video)

A defined section of punctuated quarter note chords found on page 2, shifts the mood and character of the composition giving it a robust, march-like character. At this point, it’s best to style, cajole, and phrase the notes in such a way, that draws listener interest.

Piano Lesson:

Playing Tarentelle in tempo:

RELATED:

La Chasse (The Chase) by Burgmuller


https://arioso7.wordpress.com/2012/03/08/piano-technique-re-arranging-hands-for-speed-and-agility-in-burgmullers-la-chasse-the-chase-videos/

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
This entry was posted in Burgmuller "La Chasse", Burgmuller Inquietude, Burgmuller pastorale, Burgmuller Pastorale Op. 100, Burgmuller Tarentelle, Burgmuller The Chase, Burgmuller's Op. 100 Twenty-Five Progressive Pieces, classissima, classissima.com, Friedrich Burgmuller, music, music and heart, music teachers association of california, New York City High School of Performing Arts, Oberlin Conservatory, pianist, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano pedagogy, piano playing, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano practicing, piano repertoire, piano student, piano study, piano teachers, piano teaching, piano technique, piano technique and the singing tone, piano world-wide, pianoworld, pianoworld.com, playing piano with expression, playing the piano, playing the piano with a singing tone, practicing difficult piano passages, practicing piano with relaxation, Romantic era music, Romantic era piano music, Romantic era piano repertoire, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, slow piano practicing, Steinway M grand piano, studying piano, supple wrist in piano playing, swinging arms in playing piano, teaching a piano student about melody, teaching piano, teaching piano to adults, teaching piano to children, teaching piano to teenagers, technique, The art of phrasing at the piano, Twenty five Progressive pieces by Burgmuller, video instruction, word press, word press.com, wordpress, wordpress.com, you tube, you tube video and tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

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