Every so often, I stumble upon an uploaded You Yube performance that grabs my ears. In this instance, it was a Mozart encore offered by pianist, Mitsuko Uchida, that led straight to a compelling videotaped interview with her. With my antennae up and ready for more sparkle to light up my day, I was amply rewarded.
I must admit that when I surveyed first movement readings of K. 545, the “Drawing Room” sonata, I was less intrigued by Uchida’s interpretation (employing a clipped staccato) than by what I found as an afterthought to a concert she had given at an unspecified location. (her short notes, were refined in a portato-like rendering through a soulful Andante)
First, to celebrate an artist, who does not feel obligated to reel off a show-stopping transcription as a tour de force ending to a concert, but instead chooses a slow movement to cap the evening….
I remember how satisfying it was to hear Horowitz bless his audience with Schumann’s “Reverie” as the ultimate conclusion to his recital. (He would precede this offering with virtuoso displays, but not leave the stage without making a peace with himself and his listeners)
And so, Uchida, in this spirit played the second movement of Mozart’s well-known Sonata in C, which by serendipitous opportunity, led to a prized interview that provided an intimate glimpse of her inner thoughts, ideas and philosophy.
Interview (It’s in English)
Compare readings of Mozart K. 545, Allegro
BIO from Uchida’s Official Website:
“…whatever she plays, you always sense that Uchida has thought through the reasons for everything she does, but always in the best interests of communicating what she feels is the emotional essence of the music. It’s a rare, and very precious gift.”
“Mitsuko Uchida is a performer who brings a deep insight into the music she plays through her own search for truth and beauty. She is renowned for her interpretations of Mozart, Schubert, and Beethoven, both in the concert hall and on CD, but she has also illuminated the music of Berg, Schoenberg, Webern and Boulez for a new generation of listeners. Her recording of the Schoenberg Piano Concerto with Pierre Boulez and the Cleveland Orchestra won four awards, including The Gramophone Award for Best Concerto. Amongst many current projects, Uchida has recently been recording a selection of Mozart’s Piano Concerti with the Cleveland Orchestra, directing from the piano. The Cleveland Plain Dealer wrote of their performances of K.466 and K.595 in April 2010, ‘Uchida turns in readings of such eloquence, one has no trouble understanding why they’re also being recorded for posterity’ and The Times wrote of the disc issued in October 2009, (K.491 and K.488), which won a Grammy award, ‘Did even the great Clara Haskil play Mozart’s piano music as wonderfully, as completely – with intelligence and instinct perfectly fused – as Mitsuko Uchida?’
“Highlights this season include performances with the Royal Concertgebouw Orchestra and Haitink, Vienna Philharmonic and Boulez, Cleveland Orchestra, Chicago Symphony, Philharmonia Orchestra and Salonen, and the continuation of the Beethoven concerti cycle with the London Symphony Orchestra and Sir Colin Davis. Uchida will perform chamber music at the Mozartwoche festival in Salzburg, with the Hagen Quartet in a tour of Japan, and with Magdalena Kožená in Europe. She will give solo recitals in Tokyo, Salzburg, Berlin, Paris, London, Chicago and New York.
“Mitsuko Uchida performs with the world’s finest orchestras and musicians. Some recent highlights have been her Artist-in-Residency at the Cleveland Orchestra, where she directed all the Mozart concerti from the keyboard over a number of seasons. She has also been the focus of a Carnegie Hall Perspectives series entitled ‘Mitsuko Uchida: Vienna Revisited’. She has featured in the Concertgebouw’s Carte Blanche series where she collaborated with Ian Bostridge, the Hagen Quartet, Chamber Orchestra of Europe and Royal Concertgebouw Orchestra as well as directing from the piano a performance of Schönberg’s Pierrot Lunaire. Uchida has also been Artist-in-Residence at the Vienna Konzerthaus, and with the Berlin Philharmonic Orchestra, where she performed a series of chamber music concerts and a Beethoven Piano Concerti cycle with Sir Simon Rattle.
“Mitsuko Uchida records exclusively for Decca and her recordings include the complete Mozart piano sonatas and piano concerti; the complete Schubert piano sonatas; Debussy’s Etudes; the five Beethoven piano concerti with Kurt Sanderling; a CD of Mozart Sonatas for Violin and Piano with Mark Steinberg; Die Schöne Müllerin with Ian Bostridge for EMI; the final five Beethoven piano sonatas; and the 2008 recording of Berg’s Chamber Concerto with the Ensemble Intercontemporain, Pierre Boulez and Christian Tetzlaff. Uchida’s most recent releases are CD’s of Mozart’s concerti K.488 and K.491, and a second disc of K.466 and K.595, both with Uchida directing the Cleveland Orchestra from the piano; and an acclaimed disc of Schumann’s solo piano music, featuring the Davidsbündlertänze and the Fantasie.
“Mitsuko Uchida has demonstrated a long-standing commitment to aiding the development of young musicians and is a trustee of the Borletti-Buitoni Trust. She is also Co-director, with Richard Goode, of the Marlboro Music Festival. In June 2009 she was made a Dame Commander of the Order of the British Empire.”