Piano Instruction, Part FOUR, Beethoven’s “Tempest” Sonata in D minor, Op. 31, No. 2 (measures 55-93)

This tutorial references measure 55 to 93.

The composer settles into A minor through these measures and reinforces the A minor tonic to Neapolitan progression. (A minor to Bb Major chord) He elaborates, varies, and introduces a beautiful contrapuntal interplay of voices between treble and bass in measures 69-87. (All in A minor)

With a touch of majesty, Beethoven sneaks in a G7 chord that terminates the chromatic (half-step) movement in measure 69, leading to C Major, though not for long. A minor is promptly reinstated with a lovely dialog transpiring between treble and bass. (In counterpoint)

Not soon enough, the composer meanders back to the opening ROLLED chord which is the Dominant of D minor, the home key –and we are at the beginning again, with a REPEAT.


Part ONE: Beethoven Tempest Sonata in D minor


Part TWO Instruction


Part THREE Instruction


About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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