Comparing Interpretations of Bach Prelude in C minor, BWV 847 (Well-Tempered Clavier Book 1)

Over a year ago, I posted a tutorial about the harmonic rhythm of Bach's C minor Prelude (WTC I) to help myself and others navigate strings of 16th notes with an awareness of shape, direction, and resolution. This was my springboard to learning the composition and it remains a good reference. http://youtu.be/yAa8YcW7lMI However, my you…

Pianist, Martha Argerich waxes poetic about her career, old age, and more

I was entranced by an interview conducted with Maestra Argerich on the eve of the 2009 Nobel Prize ceremonies in Stockholm. She was to give a concert, playing the Ravel piano concerto, but graciously paused to share her deepest thoughts and musings about music, life, communication, getting old and more. The interviewer was on the…

I have to practice to keep up with my piano students

I have one particular adult pupil who's pushed the envelope to its limit. He sends me demanding "new" pieces he wants to learn in short order. Not that I necessarily approve of the rapid turnover of compositions, but I have no choice but to ingest them quickly and THOROUGHLY so I can be of help…

The polishing stage of learning can be dessert for a piano teacher and student

I relish time spent with a student who's baby-stepped a musical journey with patience and self-acceptance. The polishing stage is icing on the cake, a dessert following the main course. In this case, an adult pupil kept to a regimen of scales and arpeggios in A minor, as her tip-toe adventure into a Chopin Waltz…

How I deal with my performance anxiety? (Video)

I prepared a video as a meditation, or spiritual assist for tonight. I'm playing at my house of religious worship. It's an open MIC event, and I thought it would be a relaxing opportunity for SHARING. Underline that last word and think about tossing PERFORMANCE out of your vocabulary. Key words-- getting inside the music--GIVING…

My Life Away from the Piano–and what the world is like in the East Bay

The spirit of Christine Bronstein's web driven organization is undermined by inconsistent, self-defeating policies.

Bringing the Keyboard closer to the long distance piano student

Yesterday, my Logitech cam was un-clipped from the Big Mac during a lesson to Greece. The pupil, hanging out on the island of Kos, needed a graphic representation of my hands braving a few difficult measures in Bach's Little Fugue in C Major, BWV 952. It's the composition where the composer challenges the player to…

Hand-switching and Chopin (making a piano duet out of a solo)

I did a double take watching footage of yesterday's lesson in the El Cerrito Hills. Seeing two arms, one half-sleeved, and the other firmly wrapped in olive green, made me wonder if an alien from Mars had landed squarely at the piano. Upon closer inspection, the camera had played tricks on me, creating an optical…

Into the Hills with the Sound of Music –a Baldwin Acrosonic “acoustic” sings

The video attached to this writing validates the beauty of music-making on a well-maintained, though 1940s vintage era acoustic piano. Baldwin Acrosonics were the Cadillacs of the spinet and console variety pianos. They had a noticeable innovation compared to their sister-size instruments. (A deeper sound chamber, especially noted in the consoles that measured 40" or…

The piano learning process at all levels of study

In spite of my having studied piano for decades, each learning experience is filled with challenges that I must approach with a glut of patience. A new composition has its own form, architecture, harmonic rhythm, fingering that requires a big reserve of self-acceptance in a deadline-free frame. To the contrary, many of my students, who…