First the violin, a 1799 Horenstainer, Mittenwald that replaced the “cigar box” I was handed as a kid. My precious teacher, Samuel Gardner selected this German original for me in Paris, France. From there, I took it to Merrywood music camp in Lenox, MA where I coached under Eugene Lehner of the Boston Symphony.
Oberlin bound, I studied briefly with Stuart Canin, (former concertmaster SFO) subsequently giving up violin entirely, shifting my emphasis to piano.
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Steinway Upright Model 1098
It cohabits with my Steinway grand in a tight-fitting Berkeley space.
Here’s the piano tuner waxing poetic about it and playing a snatch, followed by my grabbing the bench for a portion of Fur Elise.
The complete Beethoven composition is played, revealing Steinway’s heartfelt resonance.
shirley_kirsten@yahoo.com
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Published by arioso7: Shirley Kirsten
International Online Piano Teacher, blogger, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC H.S. of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning by Skype and Face Time with supplementary videos: SKYPE ID: shirley kirsten
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Private fundraising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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