At a Skype lesson to Alaska
Month: July 2013
My Journey to Ifshin’s in El Cerrito, CA where violins, unlike pianos are thriving!
I headed over to the premier string HAUS in the Bay area today to bring my 1799 vintage German violin back to life. For years it had been laying at the bottom of my closet, layered over with two portable digital pianos and an old computer. This was a violin selected by my teacher, the… Continue reading My Journey to Ifshin’s in El Cerrito, CA where violins, unlike pianos are thriving!
The Psychology of buying and selling a piano
I was hanging off the Gravitron at gym, as I shared inquiries about my FOR SALE Steinway with a personal trainer. Anonymously wrapped, my adventures seemed woven with psychological threads. In the first place, BANNER ads with MODEL AND PRICE were easy to digest, even without a DIGEST to memorialize all the details surrounding my… Continue reading The Psychology of buying and selling a piano
Mozart at dusk and daybreak (evading the wrath of neighbors)
I hadn't realized I violated curfew as I recorded the first half of Mozart's G Major Sonata, K. 283 (Presto) on Mac21 last night starting at dusk. Here in my Berkeley apartment complex, washing machines, dryers, and all music must cease at 10 p.m. meaning my video/audio track had ostensibly gone down the drain in… Continue reading Mozart at dusk and daybreak (evading the wrath of neighbors)
Piano Instruction: Burgmuller, The Storm, “L’Orage” Op. 109 No. 13 (Expect turbulence)
Don't let this be a one-night stand piece but rather a long-term relationship. I dared to overnight it as prep for a new student who tossed it my way, but upon reflection, I sat down at the piano, and produced an instruction (both helpful to myself and those diving headlong into this "stormy" composition) L'Orage… Continue reading Piano Instruction: Burgmuller, The Storm, “L’Orage” Op. 109 No. 13 (Expect turbulence)
My singing Steinway studio upright is a parting sorrow
It hasn't left Berkeley yet, but I'm sure my second singing nightingale will in time find the right owner. I've down-sized since my recent move--going from 3,000 sq feet, to 1500 to 700. Might as well live in a Pod. Most readers and You Tubers watched me demonstrate for my students on the upright, as… Continue reading My singing Steinway studio upright is a parting sorrow
Fritz, 8, Baptizes my “new” Baldwin Hamilton Grand in El Cerrito, CA (Duet playing video)
Arioso7's Blog (Shirley Kirsten)
My El Cerrito students received a musical morale boost from Hammy’s surprise appearance in their learning sanctuary. I guess we’ll call the latest piano, “Hammy,” while Haddorff in Fresno remains “Haddy” Someday, who knows, the two may pair up in Bay area cultural harmony.
In the meantime, here’s Fritz, an 8-year old, second year piano student sitting beside me on my “new” DUET bench playing the Primo part for Beyer’s “Melody,” and Low’s “Ponies.” Both Elementary level pieces come from Faber’s Developing Artist series.
followed by
Circle Dance
In an Old Castle
Keep up the good work, Fritz!
Piano Lessons: Creativity, composing, and diversifying
Fritz, one of my young piano students, had been saddled with a long lesson due to his sister's absence so he thought the "extra" time would be spent spot practicing the knotty measures of his Bach Minuet. Or he anticipated the same with his Boogie piece that had become a rich dessert following the main… Continue reading Piano Lessons: Creativity, composing, and diversifying
Piano Instruction, Don’t wake the “Sleeping Child,” Schumann Kinderszenen, Op. 15 No. 12
Often contemplative, lyrical pieces like lullabies, are bigger challenges to play than lightning bolt fast and furious etudes, final sonata movements etc. "Sleeping Child" is its own poster child for fostering relaxed breaths, flowing musical poetry, and bigger energies beyond the fingers. It's essentially a task not to wake the baby, with obtrusive, unwanted accents.… Continue reading Piano Instruction, Don’t wake the “Sleeping Child,” Schumann Kinderszenen, Op. 15 No. 12
Piano Instruction: Mozart Minuet in F, K. 2
Play Through http://youtu.be/9s0QiDNd24o Such delightful music sprang from an inspired little Mozart who at age 6, composed this Minuet in F. His father, Leopold, "notated his son's pieces in a notebook recording the exact date of almost every composition." (K. 2 was born in 1762) A musical gem that's intrinsically vocal, requires the player to… Continue reading Piano Instruction: Mozart Minuet in F, K. 2




