Navigating a robust Beethoven Sonatina (not the one everybody plays)

I borrowed a few hours from my Haydn immersion to review a Beethoven Sonatina that is absolutely charming but very challenging. One would think that such a work labeled -mini, by its “-ina” suffix spelled an easier passage to the final cadence by comparison to a composition in SONATA form.

Not so.

For example, many associate Clementi sonatinas as student pieces, not well-developed musical masterpieces. In the same vein, Beethoven with far LESS output in this form, might be taken even less seriously in these composing efforts since his 32 SONATAS stole the show. (Note: Op. 49, so-called EASY ones are beyond simple to play)

In truth, Beethoven’s two-movement sonatina masterpiece in F Major, (Anh.5) is packed with scads of runs that require clarity, shape, and injections of personality. Therefore, a player cannot skim the surface through streams of 16ths, or ignore the composer’s diverse articulations. To add to its complexity, abrupt mood shifts both in the Allegro Assai and Rondo require a mastery of emotional and physical control. (Back to the fire and ice metaphor)

Here’s a sample of what’s demanded in the very First movement:
I apologize for my Mac Computer’s temperament. I never can predict motion/sound delays, but just the same, you can see my demonstrated physical gestures because of the repetitions I’ve provided.

Play through:

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
This entry was posted in Beethoven Sonatina in F Major, Beethoven Sonatina in F Major anh.5, Classical era, Classical era sonatina, classissima.com, Jourhal of a Piano Teacher from New York to California, Ludwig Van Beethoven, piano, Shirley Kirsten, Shirley Smith Kirsten, sonatina, sonatina for piano, you tube video, you tube.com, youtube, youtube.com and tagged , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

2 Responses to Navigating a robust Beethoven Sonatina (not the one everybody plays)

  1. Patrick says:

    thank you for this great explanation (I’m currently learning this piece).

    One question,if you care to maintain this somewhat older post, is what is wrong with the playthrough video? Youtube reports that no such video exists when I click on the embedded video frame. The explanation video works fine.

    Thanks again

    Like

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