Most students become very disconnected when traveling through a staccato scale so their journey from lift-off to landing is often bumpy.
In the E minor Natural form, for example, a redundant E, F# occurring in every octave will fool a player into thinking he’s got to brace for ELEVATION that makes his hand jerk forward on the seemingly higher black note.
Psychologically and physically, the student will have lost his “center” of gravity in this lunge, deterring a smooth, even, horizontal passage from octave to octave.
On this particular journey of crisp, detached articulations, an adult pupil worked on braving obstacles that impeded him from enjoying a turbulence-free roll-in to final resolution by applying specific practice routines that included clustering or “chunking.”
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Published by arioso7: Shirley Kirsten
International Online Piano Teacher, blogger, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC H.S. of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning by Skype and Face Time with supplementary videos: SKYPE ID: shirley kirsten
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Private fundraising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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