Staccato scales: Staying on the PLANE without a bumpy ride

Most students become very disconnected when traveling through a staccato scale so their journey from lift-off to landing is often bumpy.

In the E minor Natural form, for example, a redundant E, F# occurring in every octave will fool a player into thinking he’s got to brace for ELEVATION that makes his hand jerk forward on the seemingly higher black note.

e minor staccato

Psychologically and physically, the student will have lost his “center” of gravity in this lunge, deterring a smooth, even, horizontal passage from octave to octave.

On this particular journey of crisp, detached articulations, an adult pupil worked on braving obstacles that impeded him from enjoying a turbulence-free roll-in to final resolution by applying specific practice routines that included clustering or “chunking.”

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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