Ornaments, Romantic Style: Don’t be enslaved, but master them

There’s nothing more inhibiting to piano playing than being boxed in by ornaments–tied down by their inertia and lack of smooth resolution.

For certain, if you’re threatened by them, or anticipate the worst possible outcome, ENTRAPMENT, then it guarantees a hasty entry and debilitating departure.

Sadly, breath-LESS and anxiety-prone pianists often impede their journey, leaving embellishments crippled measure-by-measure to final cadence.

So how does a player avoid the vicious cycle of ornament-driven dysfunction and enslavement?

By learning flexibility and rotation, a pianist can MASTER these subjugated appendages while assuring their relaxed release.

In a lesson-in-progress with an adult, Chopin ornaments from the composer’s Waltz in A minor No. 19, Op. Posthumous were FREED in the space of 34 minutes edited down to 15 conforming with You Tube imposed time limits.

Chopin A minor Waltz p. 1

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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