This evening Big Mike, whose hands are impressively large, finessed various types of staccato. He proved that elasticity is more influential than finger length (and related) in producing clearly articulated notes in diverse colors.
We started with a B minor (Natural form scale) enlisting a forearm FORTE staccato, then continued to a soft range, still forearm generated articulation– A wrist staccato followed that concluded with a rendering in tenuto (press lift without snappy or crisp key releases) Tenuto is usually notated with horizontal lines, and dots under them.
Mike scaled new heights at his lesson and received a deserving shower of praise!
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Published by arioso7: Shirley Kirsten
International Online Piano Teacher, blogger, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC H.S. of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning by Skype and Face Time with supplementary videos: SKYPE ID: shirley kirsten
Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten; https://www.facebook.com/skirs.7/ TWITTER: http://twitter.com/arioso7
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Private fundraising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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