A kindred musician friend and Baroque scholar residing on the East Coast tipped me off that my “first love” reading of Bach’s Prelude in F minor a few months back, was just the very top layer of a more in depth relationship to come.
And as time bore out, she was right because my earliest infatuation eluded recognition of voices that now have the dignity they deserve. (Gentle words of advice. Give a piece time to ripen)
Ironically, a perfect opportunity arose to delve more deeply into the music in the company of a Prelude smitten piano student. Awakenings ensued that enriched our understanding of a gorgeous masterpiece from the composer’s Well-Tempered Clavier, Book 2.
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Published by arioso7: Shirley Kirsten
International Online Piano Teacher, blogger, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC H.S. of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning by Skype and Face Time with supplementary videos: SKYPE ID: shirley kirsten
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3 thoughts on “J.S. Bach’s ethereal Prelude in F minor, BWV 881 (contour and voices)”
Thanks for sharing. I find in parts of this prelude not so much a sighing but a more searching atmosphere. Have you heard Peter Hill’s recording? It’s so beautiful, also his WTC book 1.
Thanks for sharing. I find in parts of this prelude not so much a sighing but a more searching atmosphere. Have you heard Peter Hill’s recording? It’s so beautiful, also his WTC book 1.
Thanks for your note. No I have not heard Hill.. but I love Peter Watchorn on Harpsichord