First Love Bach Fugue in F minor, BWV 881

What a divine pairing from J.S. Bach’s Well-Tempered Clavier, Book 2! The ethereal, “sighing” Prelude is joined by a somber, though monumental Fugue in three voices.

The Subject with its characteristic three-8th note repetitions followed by two-16ths, meanders in stepwise movement with small skip deviations while its borrowed melodic and rhythmic components weave through the composition as spin-offs. (That’s why a student should carefully analyze the Subject’s character and chemistry at the very outset of learning)

In the counter-subject realm, this FUGUE does not adhere to strict rules of FORM, but instead it reveals a host of ideas that should be recognized and mapped out as to occurrence and recurrence.

In this early learning experience, which is admittedly my falling in love PHASE, I still make sure to keep an analytical eye and ear open to what this masterpiece is about as I play through it in a slow, deliberate tempo discovering its architectural features.

Page ONE:
Fugue in F minor p. 1 revised

Later Play Through:

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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