This has to be one of my favorite reciprocal teaching/learning videos because it fleshes out the importance of breathing through scales with mindful concentration. Framed by a singing pulse, the scale becomes a model for all playing.
Here’s B minor in Contrary Motion (legato) with my annotations that reference the BREATH and mindfulness.
Important Prompts: Sing to shape; drag notes for traction instead of poke; BREATHE into the scale; be MINDFUL and CENTERED with focused CONCENTRATION–Play with a framing pulse; float “weeping willow” arms; “float” on air.
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In this second video, an adult student works on stabilizing her pulse through a legato to staccato rendering of a C Major scale and arpeggio.
Erratic rhythm is a problem for many pupils, but when they review their recorded playing they often have epiphanies that otherwise evade them in real lesson time. This is why playbacks can be so valuable in the piano learning environment.
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Published by arioso7: Shirley Kirsten
International Online Piano Teacher, blogger, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC H.S. of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning by Skype and Face Time with supplementary videos: SKYPE ID: shirley kirsten
Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten; https://www.facebook.com/skirs.7/ TWITTER: http://twitter.com/arioso7
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1 thought on “Piano Technique: Stabilizing tempo, presence of mind, and breathing through scales and arpeggios”
1 thought on “Piano Technique: Stabilizing tempo, presence of mind, and breathing through scales and arpeggios”