Piano Technique: Trills and the vocal model

Joyce Di Donato, “lyric-coloratura mezzo-soprano,” is my model for trilling. In an embedded you tube video, the opera singer emphasizes the undulating character of a beautifully executed trill that leans on the upper note. (Too often pianists deliver a robotic stream of alternating notes that’s shapeless and out of breath, ignoring an internal flow and contour.) If we listen to birds chirping with their never-ending auditory appeal, we might gain valuable insight into trill production.

Here’s Joyce working on trills with a student at the Royal College of Music in London. It’s a nice point of departure for a musical transfer to the piano.

Below is a brief supplementary trill instruction followed by my teacher snatches from a LIVE interchange with an adult student at her Walnut Creek home. In the latter, I demonstrate on her magnificent vintage Steinway A. (1911)

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My teacher examples, that are LIVE lesson recorded excerpts are meant to assist the student’s practicing during the week:

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
This entry was posted in classical music, how to trill on the piano, Joyce Di Donato, opera, operatic trills, piano blog, piano blogging, piano technique, piano trills, Shirley Kirsten, vocal model for piano playing, W. A. Mozart, Wolfgang Amadeus Mozart and tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

One Response to Piano Technique: Trills and the vocal model

  1. Pingback: Piano Technique: Trills and the vocal model – Burning Bushes Music

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