Putting Slow Practicing to good use in a J.S. Bach Fugue Analysis

I’ve been my own mentor to the exponential these past intensified 48 hours as I immersed myself in a slow, deep-layered analysis of J.S.Bach’s Fugue in Ab, BWV 862 (Well-Tempered Clavier Book 1) The detailed exploration not only heightened my understanding of this ingenious composition, but it increased my love and reverence for it.

So without waxing poetic about the longing that’s expressed through a chain of emotion-gripping modulations, I will defer to my Two Part introspection of this Fugue that’s the beginning of my immersion. Awakenings and epiphanies ensue once the solid foundation of analysis with cognitive, affective and kinesthetic dimensions are integrated.

Finally, in a slow practicing frame, the Subject/Countersubject interaction that includes fragments of each and inversions therein in partnership with a divine set of harmonic progressions, affords a learning process that brings fulfillment with each incremental and parceled out discovery.

J.S. Bach Fugue in Ab analysis

J.S. Bach Fugue in Ab analysis p. 2

Part ONE:

Part Two:

Link:
https://arioso7.wordpress.com/2015/12/18/why-is-practicing-slowly-so-unpopular/

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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3 Responses to Putting Slow Practicing to good use in a J.S. Bach Fugue Analysis

  1. Pingback: Putting Slow Practicing to good use in a J.S. Bach Fugue Analysis – Burning Bushes Music

  2. Pingback: Putting Slow Practicing to good use in a J.S. Bach Fugue Analysis | Liv Morales

  3. Pingback: Putting Slow Practicing to good use in a J.S. Bach Fugue Analysis | Henry Tan

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