Egon Petri offers a transcription of J.S. Bach’s “Sheep May Safely Graze,” (based on the Baroque composer’s “Birthday” Cantata) and it’s drawn a cult of admirers, mostly adult students begging to learn it. The work originally scored for two flutes, soprano and continuo, comes a close second in popularity to “Flight of the Bumblebee,” with its enticing stream of breakneck speed chromatics, evoking the buzzing insect.
Not unexpectedly, one of my students who’s deeply immersed in J.Bach’s Prelude in F Minor, BWV 881 (Book Two, Well-Tempered Clavier) happened to bring a fresh copy of Petri’s “Sheep…” saying she wanted to “read” through it, and might I insert fingering in the virgin score.
My undertaking, therefore, required careful screening of various lines, with recommendations for an optimally smooth journey through a chord laden terrain with some challenging, treble range parallel sixths, etc. (In this regard, there were measures that included intervals over the octave, where the player is given the option of eliminating a note or two.) In truth, given the transcription landscape, the player has a guilt-free, creative license to make sensitive changes that serve the smooth rendering of a phrase without doing an injustice to the COMPOSER’s work.
During my 4 page finger-assignment, I found that the experience sparked a deeper journey of discovery. Therefore, as follow-up, I carefully examined my own learning process, and uploaded a tutorial that focuses on the relaxed floating arm and supple wrist as aids to navigate various awkward sets of measures. (I also emphasized the relaxed, featherlight thumb in practicing pertinent measures well behind tempo.)
An earlier tutorial provided an optional fingering here and there with attention to an inner alto voice in the first section of Petri’s arrangement.
Other Helpful Sources
1) The Cantata excerpt as originally scored by J.S. Bach
2) Egon Petri plays his transcription with the manuscript scrolling through.
3) A pleasingly tranquil reading by Italian pianist, Alessio Bax
Murray Perahia analyzes and then renders “Sheep May Safely Graze,” during an interview broadcast from Israel with Arie Vardi.
Start 20:42 in the track below:
P.S. The whole program, centered on the works of J.S. Bach, is worth watching.

Hello! I was delighted to see your effort to place fingerings on the notes. What are the chances of you posting the entire piece with your fingering recommendations? I’m afraid my fingers don’t know where to go.
Thanks for sharing your passion with us.
Josh
If you email me I will try to send on Mon. Or Tues.
Shirley_kirsten@yahoo.com
Hi Shirley,
Wonderful tutorial for an absolutely piece. I really like your fingering choices on page 1 and just sent you an email as I am hoping you can kindly send me the full four pages with your fingerings. Thanks so much in advance. Evan
I dashed off a note to Josh to forward the pages to you, as he had earlier requested them.
I see I have your e address so in the early week coming I will send. Just on overload right now.
Thank you Shirley, I very much appreciate that and am looking forward to receiving these sheets.
im looking for the sheet music. where can i find them ? thank you noam
It’s very wonderful ! Thanks for all this work on out behalf !
Do you think you could send me the score ? I would be really grateful !
Will get to this evening.. SK
I‘m very delighted about your input on this wonderful piece. Would it be possible to send me the whole fingering, too? Thank you very much!
Thanks for your kind response. Because I am on total overload right now, I might be able some time next week to refer you to one of at least 12 people in the past who received the fingerings.. I am just really spent now. Thanks for your understanding, Shirley K
Thanks a lot for refering me, Shirley. Fleisher‘s sheeps is already some time part of my life and kind of a peaceful meditation, and it still gives me goose bumps when the canto starts after the flutes, but my fingers still get stuck on some parts playing it myself.
Chris
Thanks for sharing.. Very apprreciated. Fleisher was one of my favorites….Shirley K
I can’t seem to find your e address on Word press as it had appeared initially with your comment. Please send to shirley_kirsten@yahoo.com